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Victor Hugo - "A Nest for Owl and a Warbler" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 12: The Gorbeau Hovel
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Tekst piosenki

It was in front of this Gorbeau house that Jean Valjean halted. Like wild birds, he had chosen this desert place to construct his nest.
He fumbled in his waistcoat pocket, drew out a sort of a pass-key, opened the door, entered, closed it again carefully, and ascended the staircase, still carrying Cosette.
At the top of the stairs he drew from his pocket another key, with which he opened another door. The chamber which he entered, and which he closed again instantly, was a kind of moderately spacious attic, furnished with a mattress laid on the floor, a table, and several chairs; a stove in which a fire was burning, and whose embers were visible, stood in one corner. A lantern on the boulevard cast a vague light into this poor room. At the extreme end there was a dressing-room with a folding bed; Jean Valjean carried the child to this bed and laid her down there without waking her.
He struck a match and lighted a candle. All this was prepared beforehand on the table, and, as he had done on the previous evening, he began to scrutinize Cosette's face with a gaze full of ecstasy, in which the expression of kindness and tenderness almost amounted to aberration. The little girl, with that tranquil confidence which belongs only to extreme strength and extreme weakness, had fallen asleep without knowing with whom she was, and continued to sleep without knowing where she was.
Jean Valjean bent down and kissed that child's hand.
Nine months before he had kissed the hand of the mother, who had also just fallen asleep.
The same sad, piercing, religious sentiment filled his heart.
He knelt beside Cosette's bed.
lt was broad daylight, and the child still slept. A wan ray of the December sun penetrated the window of the attic and lay upon the ceiling in long threads of light and shade. All at once a heavily laden carrier's cart, which was passing along the boulevard, shook the frail bed, like a clap of thunder, and made it quiver from top to bottom.
"Yes, madame!" cried Cosette, waking with a start, "here I am! here I am!"
And she sprang out of bed, her eyes still half shut with the heaviness of sleep, extending her arms towards the corner of the wall.
"Ah! mon Dieu, my broom!" said she.
She opened her eyes wide now, and beheld the smiling countenance of Jean Valjean.
"Ah! so it is true!" said the child. "Good morning, Monsieur."
Children accept joy and happiness instantly and familiarly, being themselves by nature joy and happiness.
Cosette caught sight of Catherine at the foot of her bed, and took possession of her, and, as she played, she put a hundred questions to Jean Valjean. Where was she? Was Paris very large? Was Madame Thenardier very far away? Was she to go back? etc., etc. All at once she exclaimed, "How pretty it is here!"
It was a frightful hole, but she felt free.
"Must I sweep?" she resumed at last.
"Play!" said Jean Valjean.
The day passed thus. Cosette, without troubling herself to understand anything, was inexpressibly happy with that doll and that kind man.

Tłumaczenie piosenki

Nikt nie dodał jeszcze tłumaczenia do tej piosenki. Bądź pierwszy!
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Interpretacja piosenki

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Utwory na albumie Les Misérables
1.
"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
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"Lux Facta Est"
656
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"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"
655
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"The Quid Obscurum of Battles"
651
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"Cambronne"
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"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"
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"Parvulus"
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"At Bombarda's"
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"Apparition to Father Mabeuf"
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"Christus Nos Liberavit"
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"New Troubles"
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"Hougomont"
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"Cosette Side by Side With the Stranger in the Dark"
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"Requiescant"
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"Men Must Have Wine, and Horses Must Have Water"
559
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"A Restriction"
557
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"The Little Convent"
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"The Lark"
550
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"Marius Grown Up"
549
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"The Trap"
547
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"Mines and Miners"
546
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"The System of Denials"
545
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"Austerities"
544
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"The Water Question at Montfermeil"
543
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"The Year 1817"
541
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"The Catastrophe"
539
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"The Back Room of the Cafe Musain"
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"A Tempest in a Skull"
536
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"Luc-Esprit"
534
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"Four and Four"
534
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"Res Angusta"
533
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"Billows and Shadows"
532
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"Result of the Success"
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"Jean Valjean"
528
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"The Lark's Meadow"
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"Hindrances"
523
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"Taken Prisoner"
521
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"Master Gorbeau"
520
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"A Rose in Misery"
512
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"The Wisdom of Tholomyes"
511
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"M. Myriel"
507
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"Prayer"
506
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"Between Four Planks"
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"Quadrifrons"
503
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"One Should Always Begin by Arresting the Victims"
502
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"The Substitute"
502
55.
"A Group which Barely Missed Becoming Historic"
501
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"Little Gervais"
500
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"To Scoff, To Reign"
497
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"Prudence Counseled to Wisdom"
493
59.
"Mother Innocente"
492
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"Number 9,430 Reappears, and Cosette Wins it in the Lottery"
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"Tranquility"
488
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"What He Believed"
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"Madeleine"
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"An Entrance by Favor"
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"Ecce Paris, Ecce Homo"
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"The Plateau of Mont-Saint-Jean"
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"Some Petticoat"
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"Two Complete Portraits"
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"The Guard"
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70.
"The Man Aroused"
475
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"Javert Satisfied"
474
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"Father Fauchelevent"
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"Well Cut"
473
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"A Providential Peep-Hole"
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"The Death of a Horse"
472
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"Which Would Be Impossible With Gas Lanterns"
471
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"A Recrudescence of Divine Right"
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"Monseigneur Bienvenu Made his Cassocks Last Too Long"
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"The Unexpected"
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"Which Possibly Proves Boulatruelle's Intelligence"
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"Effect of the Spring"
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"Faith, Law"
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"Enlargement of Horizon"
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"The Old Soul of Gaul"
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"He is Agreeable"
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"His Frontiers"
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"Thenardier and His Manoeuvres"
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"A Double Quartette"
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"A Suitable Tomb"
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"The Last Square"
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"Vague Flashes on the Horizon"
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"Divers Claps of Thunder fall on Ma'am Bougon"
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"M. Mabeuf"
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"M. Bamatabois's Inactivity"
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"Poverty a Good Neighbor for Misery"
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"It is Not Necessary to be Drunk to be Immortal"
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"The Gamin Should Have his Place in the Classifications of India"
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"Louis Philippe"
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"A Merry End to Mirth"
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"Marius' Astonishments"
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"Champmathieu More and More Astonished"
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"The Lowest Depths"
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"The Beginning of an Enigma"
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"The Brother as Depicted by the Sister"
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"Works Corresponding to Words"
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"Babet, Gueulemer, Claquesous, and Monparnasse"
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"Enjolras and his Lieutenants"
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"Facts Whence History Springs and Which History Ignores"
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"The Solitude of Monseigneur Welcome"
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"Sister Simplice"
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"Precautions to be Observed in Blame"
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"The Battle-Field at Night"
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"The Wild Man in his Lair"
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"The Enigma Becomes Doubly Mysterious"
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"Offers of Service from Misery to Wretchedness"
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"The Use Made of M. LeBlanc's Five-Franc Piece"
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"Tariff of Licensed Cabs: Two Francs an Hour"
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"The Eighteenth of June, 1815"
419
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"Four O'Clock in the Afternoon"
419
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"Is Waterloo to be Considered Good?"
418
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"One of the Red Spectres of That Epoch"
418
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"Tholomyes is So Merry That He Sings a Spanish Ditty"
417
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"The Convent From the Point of View of Principles"
417
187.
"A Chapter In Which They Adore Each Other"
416
188.
"The Utility of Going to Mass, In Order to Become a Revolutionist"
415
189.
"Forms Assumed By Suffering During Sleep"
415
190.
"Some Silhouettes of This Darkness"
415
191.
"The Use Made of Marius' Five-Franc Piece"
414
192.
"A Bit of History"
414
193.
"Occupying One's Self with Obscure Depths"
414
194.
"First Sketch of Two Unpreposessing Figures"
414
195.
"The Consequences of Having Met a Warden"
412
196.
"Authority Reasserts Its Rights"
412
197.
"Two Do Not Make a Pair"
411
198.
"The Evening of a Day of Walking"
410
199.
"An Apparition to Marius"
410
200.
"On What Conditions One Can Respect the Past"
410
201.
"The Solution of Some Questions Connected with the Municipal Police"
410
202.
"Embryonic Formation of Crimes in the Incubation of Prisons"
408
203.
"Some of his Particular Characteristics"
408
204.
"In Which Magnon and Her Two Children are Seen"
407
205.
"Marius Indigent"
407
206.
"The Little One Who Was Crying in Volume Two"
407
207.
"A Bad Guide to Napoleon; A Good Guide to Bulow"
406
208.
"He Who Seeks to Better Himself May Render His Situation Worse"
405
209.
"Jondrette Makes His Purchases"
405
210.
"Jondrette Comes Near Weeping"
404
211.
"He May Be of Use"
404
212.
"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
403
213.
"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
403
214.
"Beginning of a Great Malady"
402
215.
"End of the Petit-Picpus"
402
216.
"A Hard Bishopric for a Good Bishop"
401
217.
"Continuation of the Enigma"
401
218.
"Entrance on the Scene of a Doll"
399
219.
"Blondeau's Funeral Oration by Bossuet"
397
220.
"Details Concerning the Cheese-Dairies of Pontarlier"
395
221.
"Marius' Two Chairs From a Vis-a-Vis"
394
222.
"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
394
223.
"In What Mirror M. Madeleine Contemplates His Hair"
393
224.
"The Convent as an Abstract Idea"
392
225.
"It is Lucky that the Pont D'Austerlitz Bears Carriages"
392
226.
"Madame Victurnien Expends Thirty Francs on Morality"
392
227.
"Number 62 Rue Petit-Picpus"
390
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"The Zigzags of Strategy"
388
229.
"Like Master, Like House"
388
230.
"Adventures of the Letter U Delivered Over to Conjectures"
385
231.
"A Nest for Owl and a Warbler"
364
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