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Victor Hugo - "The Enigma Becomes Doubly Mysterious" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 13: For a Black Hunt A Mute Pack

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Tekst piosenki

The child had laid her head on a stone and fallen asleep.

He sat down beside her and began to think. Little by little, as he gazed at her, he grew calm and regained possession of his freedom of mind.
He clearly perceived this truth, the foundation of his life henceforth, that so long as she was there, so long as he had her near him, he should need nothing except for her, he should fear nothing except for her. He was not even conscious that he was very cold, since he had taken off his coat to cover her.
Nevertheless, athwart this revery into which he had fallen he had heard for some time a peculiar noise. It was like the tinkling of a bell. This sound proceeded from the garden. It could be heard distinctly though faintly. It resembled the faint, vague music produced by the bells of cattle at night in the pastures.
This noise made Valjean turn round.
He looked and saw that there was some one in the garden.
A being resembling a man was walking amid the bell-glasses of the melon beds, rising, stooping, halting, with regular movements, as though he were dragging or spreading out something on the ground. This person appeared to limp.
Jean Valjean shuddered with the continual tremor of the unhappy. For them everything is hostile and suspicious. They distrust the day because it enables people to see them, and the night because it aids in surprising them. A little while before he had shivered because the garden was deserted, and now he shivered because there was some one there.
He fell back from chimerical terrors to real terrors. He said to himself that Javert and the spies had, perhaps, not taken their departure; that they had, no doubt, left people on the watch in the street; that if this man should discover him in the garden, he would cry out for help against thieves and deliver him up. He took the sleeping Cosette gently in his arms and carried her behind a heap of old furniture, which was out of use, in the most remote corner of the shed. Cosette did not stir.
From that point he scrutinized the appearance of the being in the melon patch. The strange thing about it was, that the sound of the bell followed each of this man's movements. When the man approached, the sound approached; when the man retreated, the sound retreated; if he made any hasty gesture, a tremolo accompanied the gesture; when he halted, the sound ceased. It appeared evident that the bell was attached to that man; but what could that signify? Who was this man who had a bell suspended about him like a ram or an ox?
As he put these questions to himself, he touched Cosette's hands. They were icy cold.
"Ah! good God!" he cried.
He spoke to her in a low voice:—
"Cosette!"
She did not open her eyes.
He shook her vigorously.
She did not wake.
"Is she dead?" he said to himself, and sprang to his feet, quivering from head to foot.
The most frightful thoughts rushed pell-mell through his mind. There are moments when hideous surmises assail us like a cohort of furies, and violently force the partitions of our brains. When those we love are in question, our prudence invents every sort of madness. He remembered that sleep in the open air on a cold night may be fatal.
Cosette was pale, and had fallen at full length on the ground at his feet, without a movement.
He listened to her breathing: she still breathed, but with a respiration which seemed to him weak and on the point of extinction.
How was he to warm her back to life? How was he to rouse her? All that was not connected with this vanished from his thoughts. He rushed wildly from the ruin.
It was absolutely necessary that Cosette should be in bed and beside a fire in less than a quarter of an hour.

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Interpretacja piosenki

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Komentarze

Utwory na albumie Les Misérables

1.

"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"

2.

"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"

3.

"Little Gavroche"

4.

"Post Corda Lapides"

5.

"Lux Facta Est"

6.

"To Wit, The Plan of Paris in 1727"

7.

"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"

8.

"The Quid Obscurum of Battles"

9.

"Cambronne"

10.

"Cosette Side by Side With the Stranger in the Dark"

11.

"Treasure Trove"

12.

"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"

13.

"Quot Libra in Duce"

14.

"Parvulus"

15.

"Apparition to Father Mabeuf"

16.

"New Troubles"

17.

"At Bombarda's"

18.

"Marius Grown Up"

19.

"A Restriction"

20.

"The Little Convent"

21.

"Mines and Miners"

22.

"Jean Valjean"

23.

"Men Must Have Wine, and Horses Must Have Water"

24.

"Austerities"

25.

"Four and Four"

26.

"Christus Nos Liberavit"

27.

"The Lark"

28.

"Hougomont"

29.

"The Catastrophe"

30.

"Which Treats of the Manor of Entering a Convent"

31.

"The Lark's Meadow"

32.

"Requiescant"

33.

"Hindrances"

34.

"A Tempest in a Skull"

35.

"The Ray of Light in the Hovel"

36.

"The System of Denials"

37.

"The Trap"

38.

"Luc-Esprit"

39.

"The Water Question at Montfermeil"

40.

"A Group which Barely Missed Becoming Historic"

41.

"The Year 1817"

42.

"To Scoff, To Reign"

43.

"Billows and Shadows"

44.

"Res Angusta"

45.

"M. Myriel"

46.

"An Entrance by Favor"

47.

"Result of the Success"

48.

"Master Gorbeau"

49.

"Number 9,430 Reappears, and Cosette Wins it in the Lottery"

50.

"A Rose in Misery"

51.

"The Wisdom of Tholomyes"

52.

"The Back Room of the Cafe Musain"

53.

"Taken Prisoner"

54.

"The Substitute"

55.

"Little Gervais"

56.

"Prudence Counseled to Wisdom"

57.

"Between Four Planks"

58.

"M. Mabeuf"

59.

"Mother Innocente"

60.

"Madeleine"

61.

"One Should Always Begin by Arresting the Victims"

62.

"Some Petticoat"

63.

"Quadrifrons"

64.

"Effect of the Spring"

65.

"Prayer"

66.

"Tranquility"

67.

"The Man Aroused"

68.

"A Recrudescence of Divine Right"

69.

"Vague Flashes on the Horizon"

70.

"What He Believed"

71.

"Who Guarded His House for Him"

72.

"Ecce Paris, Ecce Homo"

73.

"He is Agreeable"

74.

"Which Would Be Impossible With Gas Lanterns"

75.

"Napoleon in a Good Humor"

76.

"Faith, Law"

77.

"A Chapter In Which They Adore Each Other"

78.

"Well Cut"

79.

"Thenardier and His Manoeuvres"

80.

"The Old Soul of Gaul"

81.

"The Guard"

82.

"Louis Philippe"

83.

"The Veterans Themselves Can Be Happy"

84.

"Two Complete Portraits"

85.

"The Death of a Horse"

86.

"Monseigneur Bienvenu Made his Cassocks Last Too Long"

87.

"Javert Satisfied"

88.

"Fantine Happy"

89.

"Enlargement of Horizon"

90.

"Strategy and Tactics"

91.

"The Beginning of Repose"

92.

"Poverty a Good Neighbor for Misery"

93.

"Marius' Astonishments"

94.

"Which Explains How Javert Got on the Scent"

95.

"It is Not Necessary to be Drunk to be Immortal"

96.

"The Sobriquet: Mode of Formation of Family Names"

97.

"Which Possibly Proves Boulatruelle's Intelligence"

98.

"A Providential Peep-Hole"

99.

"Father Fauchelevent"

100.

"A"

101.

"The Gropings of Flight"

102.

"The Plateau of Mont-Saint-Jean"

103.

"A Suitable Tomb"

104.

"M. Madeleine in Mourning"

105.

"What is Met With on the Way from Nivelles"

106.

"The Little One All Alone"

107.

"His Frontiers"

108.

"M. Bamatabois's Inactivity"

109.

"The Perspicacity of Master Scaufflaire"

110.

"Divers Claps of Thunder fall on Ma'am Bougon"

111.

"Gayeties"

112.

"The Interior of Despair"

113.

"The Future Latent in the People"

114.

"The Heroism of Passive Obedience"

115.

"A Merry End to Mirth"

116.

"The Unexpected"

117.

"In Which the Reader Will Find a Charming Saying of the Last King"

118.

"A Double Quartette"

119.

"How Jean May Become Champ"

120.

"A Successful Interrogatory"

121.

"The Last Square"

122.

"What He Does"

123.

"Distractions"

124.

"The Remarks of the Principal Tenant"

125.

"Cloistered"

126.

"Composition of the Troupe"

127.

"M. Myriel Becomes M. Welcome"

128.

"Babet, Gueulemer, Claquesous, and Monparnasse"

129.

"In Which Magnon and Her Two Children are Seen"

130.

"What He Thought"

131.

"A Place Where Convictions are in Process of Formation"

132.

"Ninety Years and Thirty-Two Teeth"

133.

"The Bishop in the Presence of an Unknown Light"

134.

"Basque and Nicolette"

135.

"Eclipse"

136.

"Fauchelevent in the Presence of a Difficulty"

137.

"The Convent as an Historical Fact"

138.

"The Convent From the Point of View of Principles"

139.

"Cravatte"

140.

"Rule: Receive No One Except in the Evening"

141.

"First Sketch of Two Unpreposessing Figures"

142.

"In Which Will be Found the Origin of the Saying: Don't Lose the Card"

143.

"End of the Brigand"

144.

"The Gamin Should Have his Place in the Classifications of India"

145.

"Two Misfortunes Make One Piece of Good Fortune"

146.

"The Emperor Puts a Question to the Guide Lacoste"

147.

"Marius Poor"

148.

"Embryonic Formation of Crimes in the Incubation of Prisons"

149.

"Sister Simplice Put to the Proof"

150.

"Is Waterloo to be Considered Good?"

151.

"Works Corresponding to Words"

152.

"Number 24,601 Becomes Number 9,430"

153.

"Champmathieu More and More Astonished"

154.

"Origin of the Perpetual Adoration"

155.

"Facts Whence History Springs and Which History Ignores"

156.

"The Solitude of Monseigneur Welcome"

157.

"A Centenarian Aspirant"

158.

"The History of A Progress in Black Glass Trinkets"

159.

"Marble Against Granite"

160.

"Badly Sewed"

161.

"Sums Deposited With Laffitte"

162.

"Sister Simplice"

163.

"The Little One Who Was Crying in Volume Two"

164.

"Fauchelevent Becomes a Gardener in Paris"

165.

"Enjolras and his Lieutenants"

166.

"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"

167.

"The Beginning of an Enigma"

168.

"Four O'Clock in the Afternoon"

169.

"The Traveller on His Arrival Takes Precautions for Departure"

170.

"The Consequences of Having Met a Warden"

171.

"The Obedience of Martin Verga"

172.

"Madame Victurnien's Success"

173.

"Philosophy After Drinking"

174.

"End of the Petit-Picpus"

175.

"The Eighteenth of June, 1815"

176.

"Occupying One's Self with Obscure Depths"

177.

"On What Conditions One Can Respect the Past"

178.

"An Ancient Salon"

179.

"An Apparition to Marius"

180.

"Marius Indigent"

181.

"Cracks Beneath the Foundation"

182.

"The Bishop Works"

183.

"One Mother Meets Another Mother"

184.

"Some of his Particular Characteristics"

185.

"Tariff of Licensed Cabs: Two Francs an Hour"

186.

"The Wild Man in his Lair"

187.

"A Century Under a Guimpe"

188.

"A Five-Franc Piece Falls on the Ground and Produces a Tumult"

189.

"Authority Reasserts Its Rights"

190.

"One of the Red Spectres of That Epoch"

191.

"The Lowest Depths"

192.

"The Man With the Bell"

193.

"Jondrette Makes His Purchases"

194.

"Madame Victurnien Expends Thirty Francs on Morality"

195.

"The Evening of a Day of Walking"

196.

"Offers of Service from Misery to Wretchedness"

197.

"The Use Made of Marius' Five-Franc Piece"

198.

"The Brother as Depicted by the Sister"

199.

"A Hard Bishopric for a Good Bishop"

200.

"The Battle-Field at Night"

201.

"The Enigma Becomes Doubly Mysterious"

202.

"The Utility of Going to Mass, In Order to Become a Revolutionist"

203.

"Entrance on the Scene of a Doll"

204.

"The Solution of Some Questions Connected with the Municipal Police"

205.

"Precautions to be Observed in Blame"

206.

"The Absolute Goodness of Prayer"

207.

"He May Be of Use"

208.

"Two Do Not Make a Pair"

209.

"Forms Assumed By Suffering During Sleep"

210.

"A Bad Guide to Napoleon; A Good Guide to Bulow"

211.

"Beginning of a Great Malady"

212.

"In What Mirror M. Madeleine Contemplates His Hair"

213.

"A Bit of History"

214.

"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"

215.

"Tholomyes is So Merry That He Sings a Spanish Ditty"

216.

"He Who Seeks to Better Himself May Render His Situation Worse"

217.

"A Nest for Owl and a Warbler"

218.

"Details Concerning the Cheese-Dairies of Pontarlier"

219.

"Blondeau's Funeral Oration by Bossuet"

220.

"Jondrette Comes Near Weeping"

221.

"The Use Made of M. LeBlanc's Five-Franc Piece"

222.

"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"

223.

"The Zigzags of Strategy"

224.

"The Convent as an Abstract Idea"

225.

"Continuation of the Enigma"

226.

"Like Master, Like House"

227.

"Marius' Two Chairs From a Vis-a-Vis"

228.

"Some Silhouettes of This Darkness"

229.

"Number 62 Rue Petit-Picpus"

230.

"It is Lucky that the Pont D'Austerlitz Bears Carriages"

231.

"Adventures of the Letter U Delivered Over to Conjectures"

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