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Victor Hugo - "Entrance on the Scene of a Doll" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 11: Accomplishment of the Promise Made to the Dead Woman
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Tekst piosenki

The line of open-air booths starting at the church, extended, as the reader will remember, as far as the hostelry of the Thenardiers. These booths were all illuminated, because the citizens would soon pass on their way to the midnight mass, with candles burning in paper funnels, which, as the schoolmaster, then seated at the table at the Thenardiers' observed, produced "a magical effect." In compensation, not a star was visible in the sky.
The last of these stalls, established precisely opposite the Thenardiers' door, was a toy-shop all glittering with tinsel, glass, and magnificent objects of tin. In the first row, and far forwards, the merchant had placed on a background of white napkins, an immense doll, nearly two feet high, who was dressed in a robe of pink crepe, with gold wheat-ears on her head, which had real hair and enamel eyes. All that day, this marvel had been displayed to the wonderment of all passers-by under ten years of age, without a mother being found in Montfermeil sufficiently rich or sufficiently extravagant to give it to her child. Eponine and Azelma had passed hours in contemplating it, and Cosette herself had ventured to cast a glance at it, on the sly, it is true.
At the moment when Cosette emerged, bucket in hand, melancholy and overcome as she was, she could not refrain from lifting her eyes to that wonderful doll, towards the lady, as she called it. The poor child paused in amazement. She had not yet beheld that doll close to. The whole shop seemed a palace to her: the doll was not a doll; it was a vision. It was joy, splendor, riches, happiness, which appeared in a sort of chimerical halo to that unhappy little being so profoundly engulfed in gloomy and chilly misery. With the sad and innocent sagacity of childhood, Cosette measured the abyss which separated her from that doll. She said to herself that one must be a queen, or at least a princess, to have a "thing" like that. She gazed at that beautiful pink dress, that beautiful smooth hair, and she thought, "How happy that doll must be!" She could not take her eyes from that fantastic stall. The more she looked, the more dazzled she grew. She thought she was gazing at paradise. There were other dolls behind the large one, which seemed to her to be fairies and genii. The merchant, who was pacing back and forth in front of his shop, produced on her somewhat the effect of being the Eternal Father.
In this adoration she forgot everything, even the errand with which she was charged.
All at once the Thenardier's coarse voice recalled her to reality: "What, you silly jade! you have not gone? Wait! I'll give it to you! I want to know what you are doing there! Get along, you little monster!"
The Thenardier had cast a glance into the street, and had caught sight of Cosette in her ecstasy.
Cosette fled, dragging her pail, and taking the longest strides of which she was capable.

Tłumaczenie piosenki

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Interpretacja piosenki

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Utwory na albumie Les Misérables
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"Austerities"
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"One Should Always Begin by Arresting the Victims"
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"The Substitute"
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"A Group which Barely Missed Becoming Historic"
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"Mother Innocente"
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"Tranquility"
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"Some Petticoat"
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"Two Complete Portraits"
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"The Guard"
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"The Man Aroused"
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"Javert Satisfied"
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"Father Fauchelevent"
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"Well Cut"
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"A Providential Peep-Hole"
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"The Death of a Horse"
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"Which Would Be Impossible With Gas Lanterns"
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"A Recrudescence of Divine Right"
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"The Unexpected"
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"Which Possibly Proves Boulatruelle's Intelligence"
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"Effect of the Spring"
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"Enlargement of Horizon"
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"The Old Soul of Gaul"
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"He is Agreeable"
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"A Double Quartette"
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"A Suitable Tomb"
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"The Last Square"
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"Divers Claps of Thunder fall on Ma'am Bougon"
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"The Convent From the Point of View of Principles"
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"A Chapter In Which They Adore Each Other"
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"The Utility of Going to Mass, In Order to Become a Revolutionist"
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"Occupying One's Self with Obscure Depths"
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"Forms Assumed By Suffering During Sleep"
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"The Use Made of Marius' Five-Franc Piece"
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"A Bit of History"
414
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"First Sketch of Two Unpreposessing Figures"
414
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"Two Do Not Make a Pair"
413
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"Authority Reasserts Its Rights"
413
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"The Consequences of Having Met a Warden"
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"The Evening of a Day of Walking"
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"An Apparition to Marius"
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"On What Conditions One Can Respect the Past"
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"The Solution of Some Questions Connected with the Municipal Police"
410
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"In Which Magnon and Her Two Children are Seen"
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"Embryonic Formation of Crimes in the Incubation of Prisons"
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"Some of his Particular Characteristics"
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"Marius Indigent"
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"The Little One Who Was Crying in Volume Two"
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"A Bad Guide to Napoleon; A Good Guide to Bulow"
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"Jondrette Makes His Purchases"
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"He Who Seeks to Better Himself May Render His Situation Worse"
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"Jondrette Comes Near Weeping"
404
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"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
404
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"He May Be of Use"
404
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"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
403
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"Beginning of a Great Malady"
403
215.
"A Hard Bishopric for a Good Bishop"
402
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"End of the Petit-Picpus"
402
217.
"Continuation of the Enigma"
401
218.
"Entrance on the Scene of a Doll"
399
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"Blondeau's Funeral Oration by Bossuet"
397
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"Details Concerning the Cheese-Dairies of Pontarlier"
396
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"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
395
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"Marius' Two Chairs From a Vis-a-Vis"
394
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"In What Mirror M. Madeleine Contemplates His Hair"
393
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"The Convent as an Abstract Idea"
393
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"It is Lucky that the Pont D'Austerlitz Bears Carriages"
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