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Victor Hugo - "Luc-Esprit" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois

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Tekst piosenki

At the age of sixteen, one evening at the opera, he had had the honor to be stared at through opera-glasses by two beauties at the same time—ripe and celebrated beauties then, and sung by Voltaire, the Camargo and the Salle. Caught between two fires, he had beaten a heroic retreat towards a little dancer, a young girl named Nahenry, who was sixteen like himself, obscure as a cat, and with whom he was in love. He abounded in memories. He was accustomed to exclaim: "How pretty she was—that Guimard-Guimardini-Guimardinette, the last time I saw her at Longchamps, her hair curled in sustained sentiments, with her come-and-see of turquoises, her gown of the color of persons newly arrived, and her little agitation muff!" He had worn in his young manhood a waistcoat of Nain-Londrin, which he was fond of talking about effusively. "I was dressed like a Turk of the Levant Levantin," said he. Madame de Boufflers, having seen him by chance when he was twenty, had described him as "a charming fool." He was horrified by all the names which he saw in politics and in power, regarding them as vulgar and bourgeois. He read the journals, the newspapers, the gazettes as he said, stifling outbursts of laughter the while. "Oh!" he said, "what people these are! Corbiere! Humann! Casimir Perier! There's a minister for you! I can imagine this in a journal: 'M. Gillenorman, minister!' that would be a farce. Well! They are so stupid that it would pass"; he merrily called everything by its name, whether decent or indecent, and did not restrain himself in the least before ladies. He uttered coarse speeches, obscenities, and filth with a certain tranquillity and lack of astonishment which was elegant. It was in keeping with the unceremoniousness of his century. It is to be noted that the age of periphrase in verse was the age of crudities in prose. His god-father had predicted that he would turn out a man of genius, and had bestowed on him these two significant names: Luc-Esprit.

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Komentarze

Utwory na albumie Les Misérables

1.

"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"

2.

"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"

3.

"Little Gavroche"

4.

"Post Corda Lapides"

5.

"Lux Facta Est"

6.

"To Wit, The Plan of Paris in 1727"

7.

"Cosette Side by Side With the Stranger in the Dark"

8.

"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"

9.

"Cambronne"

10.

"The Quid Obscurum of Battles"

11.

"Parvulus"

12.

"Treasure Trove"

13.

"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"

14.

"Quot Libra in Duce"

15.

"Apparition to Father Mabeuf"

16.

"New Troubles"

17.

"At Bombarda's"

18.

"Marius Grown Up"

19.

"A Restriction"

20.

"The Little Convent"

21.

"Mines and Miners"

22.

"Four and Four"

23.

"Jean Valjean"

24.

"Austerities"

25.

"Christus Nos Liberavit"

26.

"Hougomont"

27.

"Men Must Have Wine, and Horses Must Have Water"

28.

"The Lark"

29.

"The Catastrophe"

30.

"Which Treats of the Manor of Entering a Convent"

31.

"Hindrances"

32.

"The Lark's Meadow"

33.

"Requiescant"

34.

"A Tempest in a Skull"

35.

"The Ray of Light in the Hovel"

36.

"The Trap"

37.

"Luc-Esprit"

38.

"The System of Denials"

39.

"A Group which Barely Missed Becoming Historic"

40.

"The Water Question at Montfermeil"

41.

"The Year 1817"

42.

"To Scoff, To Reign"

43.

"Res Angusta"

44.

"An Entrance by Favor"

45.

"Number 9,430 Reappears, and Cosette Wins it in the Lottery"

46.

"Result of the Success"

47.

"M. Myriel"

48.

"Master Gorbeau"

49.

"Billows and Shadows"

50.

"A Rose in Misery"

51.

"The Wisdom of Tholomyes"

52.

"The Back Room of the Cafe Musain"

53.

"The Substitute"

54.

"Taken Prisoner"

55.

"Little Gervais"

56.

"Prudence Counseled to Wisdom"

57.

"Mother Innocente"

58.

"Between Four Planks"

59.

"M. Mabeuf"

60.

"Madeleine"

61.

"One Should Always Begin by Arresting the Victims"

62.

"Some Petticoat"

63.

"Effect of the Spring"

64.

"Tranquility"

65.

"Prayer"

66.

"The Man Aroused"

67.

"Quadrifrons"

68.

"A Chapter In Which They Adore Each Other"

69.

"A Recrudescence of Divine Right"

70.

"He is Agreeable"

71.

"Vague Flashes on the Horizon"

72.

"Who Guarded His House for Him"

73.

"Well Cut"

74.

"What He Believed"

75.

"Which Would Be Impossible With Gas Lanterns"

76.

"Ecce Paris, Ecce Homo"

77.

"Faith, Law"

78.

"Napoleon in a Good Humor"

79.

"Enlargement of Horizon"

80.

"Thenardier and His Manoeuvres"

81.

"The Old Soul of Gaul"

82.

"Two Complete Portraits"

83.

"The Guard"

84.

"Which Explains How Javert Got on the Scent"

85.

"Louis Philippe"

86.

"The Veterans Themselves Can Be Happy"

87.

"The Death of a Horse"

88.

"Fantine Happy"

89.

"Gayeties"

90.

"A"

91.

"Javert Satisfied"

92.

"Strategy and Tactics"

93.

"The Beginning of Repose"

94.

"Monseigneur Bienvenu Made his Cassocks Last Too Long"

95.

"It is Not Necessary to be Drunk to be Immortal"

96.

"The Sobriquet: Mode of Formation of Family Names"

97.

"Marius' Astonishments"

98.

"A Providential Peep-Hole"

99.

"M. Bamatabois's Inactivity"

100.

"Poverty a Good Neighbor for Misery"

101.

"The Plateau of Mont-Saint-Jean"

102.

"Father Fauchelevent"

103.

"Which Possibly Proves Boulatruelle's Intelligence"

104.

"The Gropings of Flight"

105.

"A Suitable Tomb"

106.

"A Successful Interrogatory"

107.

"M. Madeleine in Mourning"

108.

"The Little One All Alone"

109.

"A Double Quartette"

110.

"Divers Claps of Thunder fall on Ma'am Bougon"

111.

"His Frontiers"

112.

"What is Met With on the Way from Nivelles"

113.

"The Perspicacity of Master Scaufflaire"

114.

"Distractions"

115.

"The Unexpected"

116.

"The Future Latent in the People"

117.

"A Centenarian Aspirant"

118.

"The Heroism of Passive Obedience"

119.

"A Merry End to Mirth"

120.

"In Which the Reader Will Find a Charming Saying of the Last King"

121.

"The Interior of Despair"

122.

"The Last Square"

123.

"How Jean May Become Champ"

124.

"The Bishop in the Presence of an Unknown Light"

125.

"What He Does"

126.

"Babet, Gueulemer, Claquesous, and Monparnasse"

127.

"Composition of the Troupe"

128.

"Fauchelevent in the Presence of a Difficulty"

129.

"The Remarks of the Principal Tenant"

130.

"M. Myriel Becomes M. Welcome"

131.

"Basque and Nicolette"

132.

"Cloistered"

133.

"First Sketch of Two Unpreposessing Figures"

134.

"In Which Magnon and Her Two Children are Seen"

135.

"What He Thought"

136.

"Eclipse"

137.

"A Place Where Convictions are in Process of Formation"

138.

"Ninety Years and Thirty-Two Teeth"

139.

"Cravatte"

140.

"Rule: Receive No One Except in the Evening"

141.

"The Gamin Should Have his Place in the Classifications of India"

142.

"Marius Poor"

143.

"End of the Brigand"

144.

"The Convent From the Point of View of Principles"

145.

"Facts Whence History Springs and Which History Ignores"

146.

"In Which Will be Found the Origin of the Saying: Don't Lose the Card"

147.

"Champmathieu More and More Astonished"

148.

"Sums Deposited With Laffitte"

149.

"Two Misfortunes Make One Piece of Good Fortune"

150.

"The Convent as an Historical Fact"

151.

"The Little One Who Was Crying in Volume Two"

152.

"Is Waterloo to be Considered Good?"

153.

"Works Corresponding to Words"

154.

"Badly Sewed"

155.

"Number 24,601 Becomes Number 9,430"

156.

"Embryonic Formation of Crimes in the Incubation of Prisons"

157.

"The Emperor Puts a Question to the Guide Lacoste"

158.

"Origin of the Perpetual Adoration"

159.

"Sister Simplice Put to the Proof"

160.

"The Solitude of Monseigneur Welcome"

161.

"Marble Against Granite"

162.

"The History of A Progress in Black Glass Trinkets"

163.

"Fauchelevent Becomes a Gardener in Paris"

164.

"Sister Simplice"

165.

"Four O'Clock in the Afternoon"

166.

"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"

167.

"Madame Victurnien's Success"

168.

"An Apparition to Marius"

169.

"Enjolras and his Lieutenants"

170.

"The Beginning of an Enigma"

171.

"Marius Indigent"

172.

"End of the Petit-Picpus"

173.

"The Traveller on His Arrival Takes Precautions for Departure"

174.

"The Consequences of Having Met a Warden"

175.

"Occupying One's Self with Obscure Depths"

176.

"The Obedience of Martin Verga"

177.

"The Eighteenth of June, 1815"

178.

"Philosophy After Drinking"

179.

"The Bishop Works"

180.

"One Mother Meets Another Mother"

181.

"On What Conditions One Can Respect the Past"

182.

"Some of his Particular Characteristics"

183.

"Cracks Beneath the Foundation"

184.

"A Five-Franc Piece Falls on the Ground and Produces a Tumult"

185.

"An Ancient Salon"

186.

"The Use Made of Marius' Five-Franc Piece"

187.

"The Evening of a Day of Walking"

188.

"One of the Red Spectres of That Epoch"

189.

"The Lowest Depths"

190.

"Tariff of Licensed Cabs: Two Francs an Hour"

191.

"Authority Reasserts Its Rights"

192.

"The Solution of Some Questions Connected with the Municipal Police"

193.

"The Wild Man in his Lair"

194.

"The Enigma Becomes Doubly Mysterious"

195.

"A Century Under a Guimpe"

196.

"Jondrette Makes His Purchases"

197.

"The Man With the Bell"

198.

"The Battle-Field at Night"

199.

"The Utility of Going to Mass, In Order to Become a Revolutionist"

200.

"The Brother as Depicted by the Sister"

201.

"A Hard Bishopric for a Good Bishop"

202.

"Madame Victurnien Expends Thirty Francs on Morality"

203.

"Offers of Service from Misery to Wretchedness"

204.

"Entrance on the Scene of a Doll"

205.

"Forms Assumed By Suffering During Sleep"

206.

"Two Do Not Make a Pair"

207.

"The Absolute Goodness of Prayer"

208.

"Beginning of a Great Malady"

209.

"Precautions to be Observed in Blame"

210.

"He May Be of Use"

211.

"A Bit of History"

212.

"A Bad Guide to Napoleon; A Good Guide to Bulow"

213.

"In What Mirror M. Madeleine Contemplates His Hair"

214.

"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"

215.

"Tholomyes is So Merry That He Sings a Spanish Ditty"

216.

"A Nest for Owl and a Warbler"

217.

"Details Concerning the Cheese-Dairies of Pontarlier"

218.

"The Use Made of M. LeBlanc's Five-Franc Piece"

219.

"He Who Seeks to Better Himself May Render His Situation Worse"

220.

"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"

221.

"Jondrette Comes Near Weeping"

222.

"Blondeau's Funeral Oration by Bossuet"

223.

"Continuation of the Enigma"

224.

"The Zigzags of Strategy"

225.

"Marius' Two Chairs From a Vis-a-Vis"

226.

"Some Silhouettes of This Darkness"

227.

"Like Master, Like House"

228.

"The Convent as an Abstract Idea"

229.

"Adventures of the Letter U Delivered Over to Conjectures"

230.

"It is Lucky that the Pont D'Austerlitz Bears Carriages"

231.

"Number 62 Rue Petit-Picpus"

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