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Victor Hugo - "The Little One Who Was Crying in Volume Two" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 24: The Wicked Poor Man

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Tekst piosenki

On the day following that on which these events took place in the house on the Boulevard de l'Hopital, a child, who seemed to be coming from the direction of the bridge of Austerlitz, was ascending the side-alley on the right in the direction of the Barriere de Fontainebleau.
Night had fully come.
This lad was pale, thin, clad in rags, with linen trousers in the month of February, and was singing at the top of his voice.
At the corner of the Rue du Petit-Banquier, a bent old woman was rummaging in a heap of refuse by the light of a street lantern; the child jostled her as he passed, then recoiled, exclaiming:—
"Hello! And I took it for an enormous, enormous dog!"
He pronounced the word enormous the second time with a jeering swell of the voice which might be tolerably well represented by capitals: "an enormous, ENORMOUS dog."
The old woman straightened herself up in a fury.
"Nasty brat!" she grumbled. "If I hadn't been bending over, I know well where I would have planted my foot on you."
The boy was already far away.
"Kisss! kisss!" he cried. "After that, I don't think I was mistaken!"
The old woman, choking with indignation, now rose completely upright, and the red gleam of the lantern fully lighted up her livid face, all hollowed into angles and wrinkles, with crow's-feet meeting the corners of her mouth.
Her body was lost in the darkness, and only her head was visible. One would have pronounced her a mask of Decrepitude carved out by a light from the night.
The boy surveyed her.
"Madame," said he, "does not possess that style of beauty which pleases me."
He then pursued his road, and resumed his song:—
"Le roi Coupdesabot
S'en allait à la chasse,
A la chasse aux corbeaux—"
At the end of these three lines he paused. He had arrived in front of No. 50-52, and finding the door fastened, he began to assault it with resounding and heroic kicks, which betrayed rather the man's shoes that he was wearing than the child's feet which he owned.
In the meanwhile, the very old woman whom he had encountered at the corner of the Rue du Petit-Banquier hastened up behind him, uttering clamorous cries and indulging in lavish and exaggerated gestures.
"What's this? What's this? Lord God! He's battering the door down! He's knocking the house down."
The kicks continued.
The old woman strained her lungs.
"Is that the way buildings are treated nowadays?"
All at once she paused.
She had recognized the gamin.
"What! so it's that imp!"
"Why, it's the old lady," said the lad. "Good day, Bougonmuche. I have come to see my ancestors."
The old woman retorted with a composite grimace, and a wonderful improvisation of hatred taking advantage of feebleness and ugliness, which was, unfortunately, wasted in the dark:—
"There's no one here."
"Bah!" retorted the boy, "where's my father?"
"At La Force."
"Come, now! And my mother?"
"At Saint-Lazare."
"Well! And my sisters?"
"At the Madelonettes."
The lad scratched his head behind his ear, stared at Ma'am Bougon, and said:—
"Ah!"
Then he executed a pirouette on his heel; a moment later, the old woman, who had remained on the door-step, heard him singing in his clear, young voice, as he plunged under the black elm-trees, in the wintry wind:—
"Le roi Coupdesabot31
S'en allait à la chasse,
A la chasse aux corbeaux,
Monté sur deux échasses.
Quand on passait dessous,
On lui payait deux sous."

[End of Volume III: Marius]

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Komentarze

Utwory na albumie Les Misérables

1.

"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"

2.

"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"

3.

"Little Gavroche"

4.

"Post Corda Lapides"

5.

"Lux Facta Est"

6.

"To Wit, The Plan of Paris in 1727"

7.

"Cosette Side by Side With the Stranger in the Dark"

8.

"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"

9.

"The Quid Obscurum of Battles"

10.

"Cambronne"

11.

"Treasure Trove"

12.

"Parvulus"

13.

"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"

14.

"Quot Libra in Duce"

15.

"Apparition to Father Mabeuf"

16.

"New Troubles"

17.

"At Bombarda's"

18.

"Marius Grown Up"

19.

"A Restriction"

20.

"The Little Convent"

21.

"Mines and Miners"

22.

"Four and Four"

23.

"Hougomont"

24.

"The Catastrophe"

25.

"Jean Valjean"

26.

"Austerities"

27.

"Christus Nos Liberavit"

28.

"The Lark"

29.

"Men Must Have Wine, and Horses Must Have Water"

30.

"Hindrances"

31.

"Which Treats of the Manor of Entering a Convent"

32.

"A Tempest in a Skull"

33.

"The Lark's Meadow"

34.

"Requiescant"

35.

"The Trap"

36.

"The Ray of Light in the Hovel"

37.

"A Group which Barely Missed Becoming Historic"

38.

"The System of Denials"

39.

"Luc-Esprit"

40.

"The Water Question at Montfermeil"

41.

"The Year 1817"

42.

"To Scoff, To Reign"

43.

"Billows and Shadows"

44.

"Number 9,430 Reappears, and Cosette Wins it in the Lottery"

45.

"Res Angusta"

46.

"An Entrance by Favor"

47.

"M. Myriel"

48.

"A Rose in Misery"

49.

"Result of the Success"

50.

"Master Gorbeau"

51.

"The Wisdom of Tholomyes"

52.

"The Back Room of the Cafe Musain"

53.

"The Substitute"

54.

"Taken Prisoner"

55.

"Mother Innocente"

56.

"Little Gervais"

57.

"Prudence Counseled to Wisdom"

58.

"Between Four Planks"

59.

"M. Mabeuf"

60.

"One Should Always Begin by Arresting the Victims"

61.

"Madeleine"

62.

"Some Petticoat"

63.

"The Man Aroused"

64.

"Tranquility"

65.

"Effect of the Spring"

66.

"Prayer"

67.

"Quadrifrons"

68.

"A Chapter In Which They Adore Each Other"

69.

"Vague Flashes on the Horizon"

70.

"Who Guarded His House for Him"

71.

"He is Agreeable"

72.

"Well Cut"

73.

"A Recrudescence of Divine Right"

74.

"What He Believed"

75.

"Ecce Paris, Ecce Homo"

76.

"Faith, Law"

77.

"Which Would Be Impossible With Gas Lanterns"

78.

"Napoleon in a Good Humor"

79.

"Thenardier and His Manoeuvres"

80.

"Two Complete Portraits"

81.

"A Centenarian Aspirant"

82.

"The Old Soul of Gaul"

83.

"Enlargement of Horizon"

84.

"Which Explains How Javert Got on the Scent"

85.

"A"

86.

"The Guard"

87.

"M. Bamatabois's Inactivity"

88.

"Fantine Happy"

89.

"Gayeties"

90.

"The Veterans Themselves Can Be Happy"

91.

"The Death of a Horse"

92.

"Louis Philippe"

93.

"Strategy and Tactics"

94.

"Javert Satisfied"

95.

"Monseigneur Bienvenu Made his Cassocks Last Too Long"

96.

"The Beginning of Repose"

97.

"It is Not Necessary to be Drunk to be Immortal"

98.

"Poverty a Good Neighbor for Misery"

99.

"The Sobriquet: Mode of Formation of Family Names"

100.

"A Providential Peep-Hole"

101.

"A Successful Interrogatory"

102.

"Father Fauchelevent"

103.

"The Gropings of Flight"

104.

"Marius' Astonishments"

105.

"A Suitable Tomb"

106.

"The Little One All Alone"

107.

"The Plateau of Mont-Saint-Jean"

108.

"His Frontiers"

109.

"M. Madeleine in Mourning"

110.

"A Double Quartette"

111.

"Which Possibly Proves Boulatruelle's Intelligence"

112.

"Distractions"

113.

"The Perspicacity of Master Scaufflaire"

114.

"What is Met With on the Way from Nivelles"

115.

"Divers Claps of Thunder fall on Ma'am Bougon"

116.

"The Future Latent in the People"

117.

"Babet, Gueulemer, Claquesous, and Monparnasse"

118.

"The Unexpected"

119.

"A Merry End to Mirth"

120.

"The Bishop in the Presence of an Unknown Light"

121.

"The Heroism of Passive Obedience"

122.

"The Interior of Despair"

123.

"How Jean May Become Champ"

124.

"What He Does"

125.

"The Last Square"

126.

"In Which the Reader Will Find a Charming Saying of the Last King"

127.

"Facts Whence History Springs and Which History Ignores"

128.

"The Remarks of the Principal Tenant"

129.

"In Which Magnon and Her Two Children are Seen"

130.

"Cloistered"

131.

"A Place Where Convictions are in Process of Formation"

132.

"Composition of the Troupe"

133.

"Eclipse"

134.

"What He Thought"

135.

"Basque and Nicolette"

136.

"Ninety Years and Thirty-Two Teeth"

137.

"End of the Brigand"

138.

"Fauchelevent in the Presence of a Difficulty"

139.

"First Sketch of Two Unpreposessing Figures"

140.

"Rule: Receive No One Except in the Evening"

141.

"M. Myriel Becomes M. Welcome"

142.

"Marius Poor"

143.

"Cravatte"

144.

"The Gamin Should Have his Place in the Classifications of India"

145.

"The Convent From the Point of View of Principles"

146.

"In Which Will be Found the Origin of the Saying: Don't Lose the Card"

147.

"Champmathieu More and More Astonished"

148.

"Two Misfortunes Make One Piece of Good Fortune"

149.

"Number 24,601 Becomes Number 9,430"

150.

"Sums Deposited With Laffitte"

151.

"The Convent as an Historical Fact"

152.

"Is Waterloo to be Considered Good?"

153.

"Works Corresponding to Words"

154.

"Badly Sewed"

155.

"The Emperor Puts a Question to the Guide Lacoste"

156.

"Origin of the Perpetual Adoration"

157.

"The Little One Who Was Crying in Volume Two"

158.

"Embryonic Formation of Crimes in the Incubation of Prisons"

159.

"The History of A Progress in Black Glass Trinkets"

160.

"Marble Against Granite"

161.

"Sister Simplice Put to the Proof"

162.

"Four O'Clock in the Afternoon"

163.

"Fauchelevent Becomes a Gardener in Paris"

164.

"Sister Simplice"

165.

"The Solitude of Monseigneur Welcome"

166.

"Madame Victurnien's Success"

167.

"Enjolras and his Lieutenants"

168.

"An Apparition to Marius"

169.

"Marius Indigent"

170.

"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"

171.

"End of the Petit-Picpus"

172.

"The Traveller on His Arrival Takes Precautions for Departure"

173.

"The Beginning of an Enigma"

174.

"The Bishop Works"

175.

"The Consequences of Having Met a Warden"

176.

"The Evening of a Day of Walking"

177.

"Occupying One's Self with Obscure Depths"

178.

"The Obedience of Martin Verga"

179.

"Philosophy After Drinking"

180.

"The Use Made of Marius' Five-Franc Piece"

181.

"On What Conditions One Can Respect the Past"

182.

"Some of his Particular Characteristics"

183.

"The Eighteenth of June, 1815"

184.

"Authority Reasserts Its Rights"

185.

"One Mother Meets Another Mother"

186.

"A Five-Franc Piece Falls on the Ground and Produces a Tumult"

187.

"An Ancient Salon"

188.

"One of the Red Spectres of That Epoch"

189.

"Cracks Beneath the Foundation"

190.

"The Lowest Depths"

191.

"The Solution of Some Questions Connected with the Municipal Police"

192.

"The Wild Man in his Lair"

193.

"Tariff of Licensed Cabs: Two Francs an Hour"

194.

"The Enigma Becomes Doubly Mysterious"

195.

"Jondrette Makes His Purchases"

196.

"The Man With the Bell"

197.

"The Battle-Field at Night"

198.

"A Century Under a Guimpe"

199.

"The Brother as Depicted by the Sister"

200.

"The Utility of Going to Mass, In Order to Become a Revolutionist"

201.

"A Hard Bishopric for a Good Bishop"

202.

"Madame Victurnien Expends Thirty Francs on Morality"

203.

"Entrance on the Scene of a Doll"

204.

"Two Do Not Make a Pair"

205.

"Offers of Service from Misery to Wretchedness"

206.

"He May Be of Use"

207.

"A Bit of History"

208.

"Beginning of a Great Malady"

209.

"Forms Assumed By Suffering During Sleep"

210.

"The Absolute Goodness of Prayer"

211.

"Precautions to be Observed in Blame"

212.

"A Bad Guide to Napoleon; A Good Guide to Bulow"

213.

"In What Mirror M. Madeleine Contemplates His Hair"

214.

"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"

215.

"Tholomyes is So Merry That He Sings a Spanish Ditty"

216.

"He Who Seeks to Better Himself May Render His Situation Worse"

217.

"The Use Made of M. LeBlanc's Five-Franc Piece"

218.

"A Nest for Owl and a Warbler"

219.

"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"

220.

"Details Concerning the Cheese-Dairies of Pontarlier"

221.

"Jondrette Comes Near Weeping"

222.

"Continuation of the Enigma"

223.

"Blondeau's Funeral Oration by Bossuet"

224.

"Marius' Two Chairs From a Vis-a-Vis"

225.

"Some Silhouettes of This Darkness"

226.

"The Zigzags of Strategy"

227.

"Like Master, Like House"

228.

"The Convent as an Abstract Idea"

229.

"Number 62 Rue Petit-Picpus"

230.

"It is Lucky that the Pont D'Austerlitz Bears Carriages"

231.

"Adventures of the Letter U Delivered Over to Conjectures"

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