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Victor Hugo - "Continuation of the Enigma" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 13: For a Black Hunt A Mute Pack

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Tekst piosenki

The night wind had risen, which indicated that it must be between one and two o'clock in the morning. Poor Cosette said nothing. As she had seated herself beside him and leaned her head against him, Jean Valjean had fancied that she was asleep. He bent down and looked at her. Cosette's eyes were wide open, and her thoughtful air pained Jean Valjean.
She was still trembling.
"Are you sleepy?" said Jean Valjean.
"I am very cold," she replied.
A moment later she resumed:—
"Is she still there?"
"Who?" said Jean Valjean.
"Madame Thenardier."
Jean Valjean had already forgotten the means which he had employed to make Cosette keep silent.
"Ah!" said he, "she is gone. You need fear nothing further."
The child sighed as though a load had been lifted from her breast.
The ground was damp, the shed open on all sides, the breeze grew more keen every instant. The goodman took off his coat and wrapped it round Cosette.
"Are you less cold now?" said he.
"Oh, yes, father."
"Well, wait for me a moment. I will soon be back."
He quitted the ruin and crept along the large building, seeking a better shelter. He came across doors, but they were closed. There were bars at all the windows of the ground floor.
Just after he had turned the inner angle of the edifice, he observed that he was coming to some arched windows, where he perceived a light. He stood on tiptoe and peeped through one of these windows. They all opened on a tolerably vast hall, paved with large flagstones, cut up by arcades and pillars, where only a tiny light and great shadows were visible. The light came from a taper which was burning in one corner. The apartment was deserted, and nothing was stirring in it. Nevertheless, by dint of gazing intently he thought he perceived on the ground something which appeared to be covered with a winding-sheet, and which resembled a human form. This form was lying face downward, flat on the pavement, with the arms extended in the form of a cross, in the immobility of death. One would have said, judging from a sort of serpent which undulated over the floor, that this sinister form had a rope round its neck.
The whole chamber was bathed in that mist of places which are sparely illuminated, which adds to horror.
Jean Valjean often said afterwards, that, although many funereal spectres had crossed his path in life, he had never beheld anything more blood-curdling and terrible than that enigmatical form accomplishing some inexplicable mystery in that gloomy place, and beheld thus at night. It was alarming to suppose that that thing was perhaps dead; and still more alarming to think that it was perhaps alive.
He had the courage to plaster his face to the glass, and to watch whether the thing would move. In spite of his remaining thus what seemed to him a very long time, the outstretched form made no movement. All at once he felt himself overpowered by an inexpressible terror, and he fled. He began to run towards the shed, not daring to look behind him. It seemed to him, that if he turned his head, he should see that form following him with great strides and waving its arms.
He reached the ruin all out of breath. His knees were giving way beneath him; the perspiration was pouring from him.
Where was he? Who could ever have imagined anything like that sort of sepulchre in the midst of Paris! What was this strange house? An edifice full of nocturnal mystery, calling to souls through the darkness with the voice of angels, and when they came, offering them abruptly that terrible vision; promising to open the radiant portals of heaven, and then opening the horrible gates of the tomb! And it actually was an edifice, a house, which bore a number on the street! It was not a dream! He had to touch the stones to convince himself that such was the fact.
Cold, anxiety, uneasiness, the emotions of the night, had given him a genuine fever, and all these ideas were clashing together in his brain.
He stepped up to Cosette. She was asleep.

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Interpretacja piosenki

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Komentarze

Utwory na albumie Les Misérables

1.

"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"

2.

"In Which the Reader Will Peruse Two Verses, Which are of the Devil's Composition, Possibly"

3.

"Little Gavroche"

4.

"Post Corda Lapides"

5.

"Lux Facta Est"

6.

"To Wit, The Plan of Paris in 1727"

7.

"The Unpleasantness of Receiving Into One's House A Poor Man Who May Be a Rich Man"

8.

"The Quid Obscurum of Battles"

9.

"Cambronne"

10.

"Cosette Side by Side With the Stranger in the Dark"

11.

"Treasure Trove"

12.

"In Which Will be Found the Words to an English Air Which was in Fashion in 1832"

13.

"Quot Libra in Duce"

14.

"Parvulus"

15.

"Apparition to Father Mabeuf"

16.

"New Troubles"

17.

"At Bombarda's"

18.

"Marius Grown Up"

19.

"A Restriction"

20.

"The Little Convent"

21.

"Mines and Miners"

22.

"Four and Four"

23.

"Austerities"

24.

"Christus Nos Liberavit"

25.

"The Lark"

26.

"Jean Valjean"

27.

"Men Must Have Wine, and Horses Must Have Water"

28.

"Hougomont"

29.

"The Catastrophe"

30.

"Which Treats of the Manor of Entering a Convent"

31.

"Requiescant"

32.

"The Lark's Meadow"

33.

"Hindrances"

34.

"The Ray of Light in the Hovel"

35.

"A Tempest in a Skull"

36.

"The Trap"

37.

"Luc-Esprit"

38.

"The System of Denials"

39.

"The Water Question at Montfermeil"

40.

"A Group which Barely Missed Becoming Historic"

41.

"The Year 1817"

42.

"To Scoff, To Reign"

43.

"An Entrance by Favor"

44.

"Billows and Shadows"

45.

"Res Angusta"

46.

"M. Myriel"

47.

"Result of the Success"

48.

"Master Gorbeau"

49.

"Number 9,430 Reappears, and Cosette Wins it in the Lottery"

50.

"A Rose in Misery"

51.

"The Wisdom of Tholomyes"

52.

"The Back Room of the Cafe Musain"

53.

"Taken Prisoner"

54.

"The Substitute"

55.

"Little Gervais"

56.

"Between Four Planks"

57.

"Prudence Counseled to Wisdom"

58.

"M. Mabeuf"

59.

"Mother Innocente"

60.

"Madeleine"

61.

"One Should Always Begin by Arresting the Victims"

62.

"Some Petticoat"

63.

"Effect of the Spring"

64.

"Quadrifrons"

65.

"Tranquility"

66.

"Prayer"

67.

"The Man Aroused"

68.

"A Recrudescence of Divine Right"

69.

"What He Believed"

70.

"Vague Flashes on the Horizon"

71.

"Who Guarded His House for Him"

72.

"Ecce Paris, Ecce Homo"

73.

"Faith, Law"

74.

"Which Would Be Impossible With Gas Lanterns"

75.

"Napoleon in a Good Humor"

76.

"He is Agreeable"

77.

"Thenardier and His Manoeuvres"

78.

"The Old Soul of Gaul"

79.

"The Guard"

80.

"Louis Philippe"

81.

"Well Cut"

82.

"Two Complete Portraits"

83.

"A Chapter In Which They Adore Each Other"

84.

"Monseigneur Bienvenu Made his Cassocks Last Too Long"

85.

"The Death of a Horse"

86.

"Javert Satisfied"

87.

"Fantine Happy"

88.

"Strategy and Tactics"

89.

"The Veterans Themselves Can Be Happy"

90.

"The Beginning of Repose"

91.

"It is Not Necessary to be Drunk to be Immortal"

92.

"Poverty a Good Neighbor for Misery"

93.

"Enlargement of Horizon"

94.

"Which Explains How Javert Got on the Scent"

95.

"Marius' Astonishments"

96.

"The Sobriquet: Mode of Formation of Family Names"

97.

"Which Possibly Proves Boulatruelle's Intelligence"

98.

"Father Fauchelevent"

99.

"A Providential Peep-Hole"

100.

"A"

101.

"The Plateau of Mont-Saint-Jean"

102.

"The Gropings of Flight"

103.

"A Suitable Tomb"

104.

"M. Madeleine in Mourning"

105.

"What is Met With on the Way from Nivelles"

106.

"M. Bamatabois's Inactivity"

107.

"His Frontiers"

108.

"The Little One All Alone"

109.

"The Perspicacity of Master Scaufflaire"

110.

"The Future Latent in the People"

111.

"The Interior of Despair"

112.

"Divers Claps of Thunder fall on Ma'am Bougon"

113.

"Gayeties"

114.

"The Unexpected"

115.

"A Merry End to Mirth"

116.

"In Which the Reader Will Find a Charming Saying of the Last King"

117.

"A Double Quartette"

118.

"The Heroism of Passive Obedience"

119.

"How Jean May Become Champ"

120.

"The Last Square"

121.

"What He Does"

122.

"A Successful Interrogatory"

123.

"Distractions"

124.

"Cloistered"

125.

"The Remarks of the Principal Tenant"

126.

"In Which Magnon and Her Two Children are Seen"

127.

"Babet, Gueulemer, Claquesous, and Monparnasse"

128.

"Composition of the Troupe"

129.

"A Place Where Convictions are in Process of Formation"

130.

"Eclipse"

131.

"M. Myriel Becomes M. Welcome"

132.

"The Bishop in the Presence of an Unknown Light"

133.

"What He Thought"

134.

"Basque and Nicolette"

135.

"Ninety Years and Thirty-Two Teeth"

136.

"Cravatte"

137.

"Rule: Receive No One Except in the Evening"

138.

"Fauchelevent in the Presence of a Difficulty"

139.

"The Convent as an Historical Fact"

140.

"The Convent From the Point of View of Principles"

141.

"First Sketch of Two Unpreposessing Figures"

142.

"The Gamin Should Have his Place in the Classifications of India"

143.

"End of the Brigand"

144.

"In Which Will be Found the Origin of the Saying: Don't Lose the Card"

145.

"Marius Poor"

146.

"The Emperor Puts a Question to the Guide Lacoste"

147.

"Sister Simplice Put to the Proof"

148.

"Two Misfortunes Make One Piece of Good Fortune"

149.

"Is Waterloo to be Considered Good?"

150.

"Number 24,601 Becomes Number 9,430"

151.

"Embryonic Formation of Crimes in the Incubation of Prisons"

152.

"Works Corresponding to Words"

153.

"Badly Sewed"

154.

"Champmathieu More and More Astonished"

155.

"The History of A Progress in Black Glass Trinkets"

156.

"Marble Against Granite"

157.

"Origin of the Perpetual Adoration"

158.

"Facts Whence History Springs and Which History Ignores"

159.

"The Solitude of Monseigneur Welcome"

160.

"Sums Deposited With Laffitte"

161.

"Sister Simplice"

162.

"Enjolras and his Lieutenants"

163.

"A Centenarian Aspirant"

164.

"Fauchelevent Becomes a Gardener in Paris"

165.

"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"

166.

"The Little One Who Was Crying in Volume Two"

167.

"Four O'Clock in the Afternoon"

168.

"The Traveller on His Arrival Takes Precautions for Departure"

169.

"The Consequences of Having Met a Warden"

170.

"The Obedience of Martin Verga"

171.

"The Beginning of an Enigma"

172.

"Madame Victurnien's Success"

173.

"Occupying One's Self with Obscure Depths"

174.

"Philosophy After Drinking"

175.

"End of the Petit-Picpus"

176.

"Cracks Beneath the Foundation"

177.

"On What Conditions One Can Respect the Past"

178.

"The Eighteenth of June, 1815"

179.

"Marius Indigent"

180.

"An Apparition to Marius"

181.

"The Bishop Works"

182.

"One Mother Meets Another Mother"

183.

"Some of his Particular Characteristics"

184.

"An Ancient Salon"

185.

"Tariff of Licensed Cabs: Two Francs an Hour"

186.

"The Wild Man in his Lair"

187.

"A Five-Franc Piece Falls on the Ground and Produces a Tumult"

188.

"The Lowest Depths"

189.

"Authority Reasserts Its Rights"

190.

"The Man With the Bell"

191.

"A Century Under a Guimpe"

192.

"Jondrette Makes His Purchases"

193.

"Madame Victurnien Expends Thirty Francs on Morality"

194.

"One of the Red Spectres of That Epoch"

195.

"Offers of Service from Misery to Wretchedness"

196.

"The Use Made of Marius' Five-Franc Piece"

197.

"The Brother as Depicted by the Sister"

198.

"The Enigma Becomes Doubly Mysterious"

199.

"The Battle-Field at Night"

200.

"The Evening of a Day of Walking"

201.

"A Hard Bishopric for a Good Bishop"

202.

"The Utility of Going to Mass, In Order to Become a Revolutionist"

203.

"Precautions to be Observed in Blame"

204.

"The Solution of Some Questions Connected with the Municipal Police"

205.

"Entrance on the Scene of a Doll"

206.

"The Absolute Goodness of Prayer"

207.

"Two Do Not Make a Pair"

208.

"A Bad Guide to Napoleon; A Good Guide to Bulow"

209.

"He May Be of Use"

210.

"In What Mirror M. Madeleine Contemplates His Hair"

211.

"A Bit of History"

212.

"Forms Assumed By Suffering During Sleep"

213.

"Beginning of a Great Malady"

214.

"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"

215.

"Tholomyes is So Merry That He Sings a Spanish Ditty"

216.

"He Who Seeks to Better Himself May Render His Situation Worse"

217.

"A Nest for Owl and a Warbler"

218.

"Details Concerning the Cheese-Dairies of Pontarlier"

219.

"The Use Made of M. LeBlanc's Five-Franc Piece"

220.

"Blondeau's Funeral Oration by Bossuet"

221.

"Jondrette Comes Near Weeping"

222.

"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"

223.

"The Zigzags of Strategy"

224.

"Marius' Two Chairs From a Vis-a-Vis"

225.

"The Convent as an Abstract Idea"

226.

"Like Master, Like House"

227.

"Continuation of the Enigma"

228.

"Some Silhouettes of This Darkness"

229.

"It is Lucky that the Pont D'Austerlitz Bears Carriages"

230.

"Number 62 Rue Petit-Picpus"

231.

"Adventures of the Letter U Delivered Over to Conjectures"

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