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Victor Hugo - "Like Master, Like House" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
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Tekst piosenki

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs. He enveloped his bed in a vast, nine-leaved screen of Coromandel lacquer. Long, full curtains hung from the windows, and formed great, broken folds that were very magnificent. The garden situated immediately under his windows was attached to that one of them which formed the angle, by means of a staircase twelve or fifteen steps long, which the old gentleman ascended and descended with great agility. In addition to a library adjoining his chamber, he had a boudoir of which he thought a great deal, a gallant and elegant retreat, with magnificent hangings of straw, with a pattern of flowers and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his convicts by M. de Vivonne for his mistress. M. Gillenormand had inherited it from a grim maternal great-aunt, who had died a centenarian. He had had two wives. His manners were something between those of the courtier, which he had never been, and the lawyer, which he might have been. He was gay, and caressing when he had a mind. In his youth he had been one of those men who are always deceived by their wives and never by their mistresses, because they are, at the same time, the most sullen of husbands and the most charming of lovers in existence. He was a connoisseur of painting. He had in his chamber a marvellous portrait of no one knows whom, painted by Jordaens, executed with great dashes of the brush, with millions of details, in a confused and hap-hazard manner. M. Gillenormand's attire was not the habit of Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables of the Directory. He had thought himself young up to that period and had followed the fashions. His coat was of light-weight cloth with voluminous revers, a long swallow-tail and large steel buttons. With this he wore knee-breeches and buckle shoes. He always thrust his hands into his fobs. He said authoritatively: "The French Revolution is a heap of blackguards."

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Utwory na albumie Les Misérables
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651
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"A Restriction"
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"Men Must Have Wine, and Horses Must Have Water"
554
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"The Little Convent"
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"The Lark"
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"Marius Grown Up"
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"The Trap"
547
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"Mines and Miners"
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"Austerities"
544
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"The System of Denials"
544
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"The Water Question at Montfermeil"
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"The Year 1817"
540
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"Res Angusta"
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"Four and Four"
533
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"Luc-Esprit"
532
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"Billows and Shadows"
532
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"The Lark's Meadow"
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523
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"Taken Prisoner"
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"Master Gorbeau"
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"A Rose in Misery"
512
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"The Wisdom of Tholomyes"
510
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"M. Myriel"
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"Prayer"
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"Between Four Planks"
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"Quadrifrons"
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"One Should Always Begin by Arresting the Victims"
501
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"The Substitute"
501
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"A Group which Barely Missed Becoming Historic"
500
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"Little Gervais"
500
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"To Scoff, To Reign"
497
58.
"Mother Innocente"
492
59.
"Prudence Counseled to Wisdom"
492
60.
"Number 9,430 Reappears, and Cosette Wins it in the Lottery"
490
61.
"Tranquility"
487
62.
"What He Believed"
485
63.
"Madeleine"
485
64.
"An Entrance by Favor"
483
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"Ecce Paris, Ecce Homo"
480
66.
"The Plateau of Mont-Saint-Jean"
480
67.
"Some Petticoat"
477
68.
"Two Complete Portraits"
476
69.
"The Guard"
476
70.
"The Man Aroused"
475
71.
"Javert Satisfied"
474
72.
"Father Fauchelevent"
474
73.
"Well Cut"
473
74.
"A Providential Peep-Hole"
472
75.
"The Death of a Horse"
471
76.
"A Recrudescence of Divine Right"
471
77.
"Which Would Be Impossible With Gas Lanterns"
470
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"Monseigneur Bienvenu Made his Cassocks Last Too Long"
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"The Unexpected"
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"Which Possibly Proves Boulatruelle's Intelligence"
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"Effect of the Spring"
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"Faith, Law"
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"He is Agreeable"
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"Enlargement of Horizon"
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"Thenardier and His Manoeuvres"
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"A Double Quartette"
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"A Suitable Tomb"
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"The Last Square"
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"Divers Claps of Thunder fall on Ma'am Bougon"
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"Vague Flashes on the Horizon"
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"M. Mabeuf"
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"Louis Philippe"
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"One of the Red Spectres of That Epoch"
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"Tholomyes is So Merry That He Sings a Spanish Ditty"
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"A Chapter In Which They Adore Each Other"
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"Forms Assumed By Suffering During Sleep"
415
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"The Use Made of Marius' Five-Franc Piece"
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"The Utility of Going to Mass, In Order to Become a Revolutionist"
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"Occupying One's Self with Obscure Depths"
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"Some Silhouettes of This Darkness"
414
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"A Bit of History"
413
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"First Sketch of Two Unpreposessing Figures"
413
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"Authority Reasserts Its Rights"
412
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"The Consequences of Having Met a Warden"
411
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"Two Do Not Make a Pair"
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"The Evening of a Day of Walking"
410
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"An Apparition to Marius"
410
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"On What Conditions One Can Respect the Past"
409
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"The Solution of Some Questions Connected with the Municipal Police"
409
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"Embryonic Formation of Crimes in the Incubation of Prisons"
408
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"Some of his Particular Characteristics"
408
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"In Which Magnon and Her Two Children are Seen"
407
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"A Bad Guide to Napoleon; A Good Guide to Bulow"
406
206.
"Marius Indigent"
406
207.
"The Little One Who Was Crying in Volume Two"
406
208.
"He Who Seeks to Better Himself May Render His Situation Worse"
405
209.
"Jondrette Makes His Purchases"
405
210.
"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
403
211.
"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
403
212.
"He May Be of Use"
403
213.
"Jondrette Comes Near Weeping"
402
214.
"Beginning of a Great Malady"
402
215.
"A Hard Bishopric for a Good Bishop"
401
216.
"Continuation of the Enigma"
401
217.
"End of the Petit-Picpus"
401
218.
"Entrance on the Scene of a Doll"
399
219.
"Blondeau's Funeral Oration by Bossuet"
397
220.
"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
394
221.
"Details Concerning the Cheese-Dairies of Pontarlier"
394
222.
"In What Mirror M. Madeleine Contemplates His Hair"
393
223.
"Marius' Two Chairs From a Vis-a-Vis"
393
224.
"The Convent as an Abstract Idea"
392
225.
"Madame Victurnien Expends Thirty Francs on Morality"
391
226.
"It is Lucky that the Pont D'Austerlitz Bears Carriages"
390
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"Number 62 Rue Petit-Picpus"
390
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"The Zigzags of Strategy"
388
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"Like Master, Like House"
387
230.
"Adventures of the Letter U Delivered Over to Conjectures"
385
231.
"A Nest for Owl and a Warbler"
364
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