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Victor Hugo - "Like Master, Like House" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
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Tekst piosenki

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs. He enveloped his bed in a vast, nine-leaved screen of Coromandel lacquer. Long, full curtains hung from the windows, and formed great, broken folds that were very magnificent. The garden situated immediately under his windows was attached to that one of them which formed the angle, by means of a staircase twelve or fifteen steps long, which the old gentleman ascended and descended with great agility. In addition to a library adjoining his chamber, he had a boudoir of which he thought a great deal, a gallant and elegant retreat, with magnificent hangings of straw, with a pattern of flowers and fleurs-de-lys made on the galleys of Louis XIV. and ordered of his convicts by M. de Vivonne for his mistress. M. Gillenormand had inherited it from a grim maternal great-aunt, who had died a centenarian. He had had two wives. His manners were something between those of the courtier, which he had never been, and the lawyer, which he might have been. He was gay, and caressing when he had a mind. In his youth he had been one of those men who are always deceived by their wives and never by their mistresses, because they are, at the same time, the most sullen of husbands and the most charming of lovers in existence. He was a connoisseur of painting. He had in his chamber a marvellous portrait of no one knows whom, painted by Jordaens, executed with great dashes of the brush, with millions of details, in a confused and hap-hazard manner. M. Gillenormand's attire was not the habit of Louis XIV. nor yet that of Louis XVI.; it was that of the Incroyables of the Directory. He had thought himself young up to that period and had followed the fashions. His coat was of light-weight cloth with voluminous revers, a long swallow-tail and large steel buttons. With this he wore knee-breeches and buckle shoes. He always thrust his hands into his fobs. He said authoritatively: "The French Revolution is a heap of blackguards."

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Utwory na albumie Les Misérables
1.
"Solus Cum Solo, In Loco Remoto, Non Cogitabuntur Orare Pater Noster"
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"Lux Facta Est"
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"Cosette Side by Side With the Stranger in the Dark"
910
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"Parvulus"
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"Marius Grown Up"
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"Jean Valjean"
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"A Restriction"
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"The Little Convent"
788
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"Hindrances"
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"A Tempest in a Skull"
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"Hougomont"
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"The Trap"
783
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"Austerities"
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"Christus Nos Liberavit"
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"The Lark"
776
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"Mines and Miners"
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"Men Must Have Wine, and Horses Must Have Water"
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"A Group which Barely Missed Becoming Historic"
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"Requiescant"
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"The Catastrophe"
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"The Lark's Meadow"
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"Four and Four"
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"Which Treats of the Manor of Entering a Convent"
756
37.
"The Water Question at Montfermeil"
752
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"The Ray of Light in the Hovel"
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"Luc-Esprit"
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"The System of Denials"
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"The Year 1817"
747
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"To Scoff, To Reign"
743
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"Mother Innocente"
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"Res Angusta"
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"An Entrance by Favor"
736
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"Master Gorbeau"
733
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"Billows and Shadows"
732
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"Little Gervais"
730
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"A Rose in Misery"
730
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"Number 9,430 Reappears, and Cosette Wins it in the Lottery"
730
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"Result of the Success"
730
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"M. Myriel"
729
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"The Substitute"
725
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"The Back Room of the Cafe Musain"
724
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"The Wisdom of Tholomyes"
723
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"M. Mabeuf"
723
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"Prudence Counseled to Wisdom"
721
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"Taken Prisoner"
720
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"Some Petticoat"
719
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"One Should Always Begin by Arresting the Victims"
715
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"Between Four Planks"
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"Madeleine"
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"Prayer"
709
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"The Man Aroused"
709
65.
"Tranquility"
705
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"Quadrifrons"
701
67.
"Well Cut"
700
68.
"Effect of the Spring"
700
69.
"Vague Flashes on the Horizon"
699
70.
"Who Guarded His House for Him"
699
71.
"A Centenarian Aspirant"
698
72.
"Which Explains How Javert Got on the Scent"
697
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"The Guard"
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"Ecce Paris, Ecce Homo"
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"Faith, Law"
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"A Chapter In Which They Adore Each Other"
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"M. Bamatabois's Inactivity"
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"Napoleon in a Good Humor"
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"He is Agreeable"
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"A Recrudescence of Divine Right"
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"A Successful Interrogatory"
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"Thenardier and His Manoeuvres"
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"A"
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"Enlargement of Horizon"
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"Which Would Be Impossible With Gas Lanterns"
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"Louis Philippe"
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"The Old Soul of Gaul"
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"His Frontiers"
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"What He Believed"
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"Fantine Happy"
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"Distractions"
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"Babet, Gueulemer, Claquesous, and Monparnasse"
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"The Veterans Themselves Can Be Happy"
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"A Suitable Tomb"
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"Poverty a Good Neighbor for Misery"
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"Gayeties"
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"Facts Whence History Springs and Which History Ignores"
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"Strategy and Tactics"
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"A Providential Peep-Hole"
673
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"The Death of a Horse"
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"The Gropings of Flight"
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"End of the Brigand"
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"Fauchelevent Becomes a Gardener in Paris"
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"Rule: Receive No One Except in the Evening"
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"Composition of the Troupe"
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"Fauchelevent in the Presence of a Difficulty"
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"Two Misfortunes Make One Piece of Good Fortune"
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"The Little One Who Was Crying in Volume Two"
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"First Sketch of Two Unpreposessing Figures"
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"The Solitude of Monseigneur Welcome"
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"The Solution of Some Questions Connected with the Municipal Police"
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"Sums Deposited With Laffitte"
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"The Gamin Should Have his Place in the Classifications of India"
644
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"Marius Poor"
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"The Convent From the Point of View of Principles"
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"The Emperor Puts a Question to the Guide Lacoste"
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"Authority Reasserts Its Rights"
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"Origin of the Perpetual Adoration"
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"The Traveller on His Arrival Takes Precautions for Departure"
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"The Use Made of Marius' Five-Franc Piece"
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"Marius Indigent"
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"Sister Simplice Put to the Proof"
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"In Which Jean Valjean Has Quite the Air of Having Read Austin Castillejo"
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"The Beginning of an Enigma"
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"The Bishop Works"
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"Marble Against Granite"
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"One of the Red Spectres of That Epoch"
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"End of the Petit-Picpus"
638
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"Four O'Clock in the Afternoon"
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"The Eighteenth of June, 1815"
637
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"Is Waterloo to be Considered Good?"
636
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"An Ancient Salon"
636
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"Madame Victurnien's Success"
636
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"The Man With the Bell"
636
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"Enjolras and his Lieutenants"
635
180.
"Sister Simplice"
635
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"The Obedience of Martin Verga"
634
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"An Apparition to Marius"
633
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"One Mother Meets Another Mother"
633
184.
"Philosophy After Drinking"
633
185.
"Embryonic Formation of Crimes in the Incubation of Prisons"
633
186.
"The Wild Man in his Lair"
632
187.
"Occupying One's Self with Obscure Depths"
632
188.
"Cracks Beneath the Foundation"
632
189.
"The Brother as Depicted by the Sister"
630
190.
"The Battle-Field at Night"
628
191.
"The Lowest Depths"
628
192.
"Some of his Particular Characteristics"
628
193.
"The Consequences of Having Met a Warden"
626
194.
"The Enigma Becomes Doubly Mysterious"
626
195.
"On What Conditions One Can Respect the Past"
625
196.
"Precautions to be Observed in Blame"
625
197.
"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
623
198.
"A Hard Bishopric for a Good Bishop"
623
199.
"A Bad Guide to Napoleon; A Good Guide to Bulow"
621
200.
"Offers of Service from Misery to Wretchedness"
621
201.
"Madame Victurnien Expends Thirty Francs on Morality"
620
202.
"The Utility of Going to Mass, In Order to Become a Revolutionist"
619
203.
"Two Do Not Make a Pair"
619
204.
"Tariff of Licensed Cabs: Two Francs an Hour"
618
205.
"A Bit of History"
616
206.
"Continuation of the Enigma"
616
207.
"Forms Assumed By Suffering During Sleep"
616
208.
"In What Mirror M. Madeleine Contemplates His Hair"
615
209.
"Jondrette Makes His Purchases"
615
210.
"He Who Seeks to Better Himself May Render His Situation Worse"
612
211.
"The Absolute Goodness of Prayer"
612
212.
"He May Be of Use"
612
213.
"A Century Under a Guimpe"
609
214.
"Entrance on the Scene of a Doll"
609
215.
"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
608
216.
"Beginning of a Great Malady"
608
217.
"A Nest for Owl and a Warbler"
604
218.
"Tholomyes is So Merry That He Sings a Spanish Ditty"
602
219.
"Details Concerning the Cheese-Dairies of Pontarlier"
602
220.
"The Use Made of M. LeBlanc's Five-Franc Piece"
600
221.
"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
599
222.
"The Zigzags of Strategy"
596
223.
"Like Master, Like House"
596
224.
"Some Silhouettes of This Darkness"
596
225.
"Blondeau's Funeral Oration by Bossuet"
595
226.
"It is Lucky that the Pont D'Austerlitz Bears Carriages"
593
227.
"Adventures of the Letter U Delivered Over to Conjectures"
593
228.
"Marius' Two Chairs From a Vis-a-Vis"
593
229.
"The Convent as an Abstract Idea"
590
230.
"Jondrette Comes Near Weeping"
586
231.
"Number 62 Rue Petit-Picpus"
583
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