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Victor Hugo - "Basque and Nicolette" [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Victor Hugo
Album: Les Misérables
Gatunek: Rap
Producent: Part 18: The Great Bourgeois
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Tekst piosenki

He had theories. Here is one of them: "When a man is passionately fond of women, and when he has himself a wife for whom he cares but little, who is homely, cross, legitimate, with plenty of rights, perched on the code, and jealous at need, there is but one way of extricating himself from the quandry and of procuring peace, and that is to let his wife control the purse-strings. This abdication sets him free. Then his wife busies herself, grows passionately fond of handling coin, gets her fingers covered with verdigris in the process, undertakes the education of half-share tenants and the training of farmers, convokes lawyers, presides over notaries, harangues scriveners, visits limbs of the law, follows lawsuits, draws up leases, dictates contracts, feels herself the sovereign, sells, buys, regulates, promises and compromises, binds fast and annuls, yields, concedes and retrocedes, arranges, disarranges, hoards, lavishes; she commits follies, a supreme and personal delight, and that consoles her. While her husband disdains her, she has the satisfaction of ruining her husband." This theory M. Gillenormand had himself applied, and it had become his history. His wife—the second one—had administered his fortune in such a manner that, one fine day, when M. Gillenormand found himself a widower, there remained to him just sufficient to live on, by sinking nearly the whole of it in an annuity of fifteen thousand francs, three-quarters of which would expire with him. He had not hesitated on this point, not being anxious to leave a property behind him. Besides, he had noticed that patrimonies are subject to adventures, and, for instance, become national property; he had been present at the avatars of consolidated three per cents, and he had no great faith in the Great Book of the Public Debt. "All that's the Rue Quincampois!" he said. His house in the Rue Filles-du-Clavaire belonged to him, as we have already stated. He had two servants, "a male and a female." When a servant entered his establishment, M. Gillenormand re-baptized him. He bestowed on the men the name of their province: Nimois, Comtois, Poitevin, Picard. His last valet was a big, foundered, short-winded fellow of fifty-five, who was incapable of running twenty paces; but, as he had been born at Bayonne, M. Gillenormand called him Basque. All the female servants in his house were called Nicolette (even the Magnon, of whom we shall hear more farther on). One day, a haughty cook, a cordon bleu, of the lofty race of porters, presented herself. "How much wages do you want a month?" asked M. Gillenormand. "Thirty francs." "What is your name?" "Olympie." "You shall have fifty francs, and you shall be called Nicolette."

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Utwory na albumie Les Misérables
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"Two Complete Portraits"
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"The Guard"
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"The Man Aroused"
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"Javert Satisfied"
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"Father Fauchelevent"
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"Well Cut"
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"A Providential Peep-Hole"
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"The Death of a Horse"
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"A Recrudescence of Divine Right"
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"Which Would Be Impossible With Gas Lanterns"
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"A Bad Guide to Napoleon; A Good Guide to Bulow"
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"Marius Indigent"
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"The Little One Who Was Crying in Volume Two"
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"In Which a Police Agent Bestows Two Fistfuls on a Lawyer"
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"A Five-Franc Piece Falls on the Ground and Produces a Tumult"
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"He May Be of Use"
403
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"Jondrette Comes Near Weeping"
402
214.
"Beginning of a Great Malady"
402
215.
"A Hard Bishopric for a Good Bishop"
401
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"End of the Petit-Picpus"
401
217.
"Continuation of the Enigma"
400
218.
"Entrance on the Scene of a Doll"
399
219.
"Blondeau's Funeral Oration by Bossuet"
397
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"Marius, While Seeking a Girl in a Bonnet, Encounters a Man in a Cap"
394
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394
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393
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393
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392
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