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Percy Bysshe Shelley - On The Medusa Of Leonardo Da Vinci In The Florentine Gallery [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Percy Bysshe Shelley
Album: The Complete Poetical Works Of Percy Bysshe Shelley Volume 2
Gatunek: Poetry

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Tekst piosenki

[Published by Mrs. Shelley, "Posthumous Poems", 1824.]

1.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain-peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

2.
Yet it is less the horror than the grace
Which turns the gazer's spirit into stone,
Whereon the lineaments of that dead face
Are graven, till the characters be grown
Into itself, and thought no more can trace;
'Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.

3.
And from its head as from one body grow,
As … grass out of a watery rock,
Hairs which are vipers, and they curl and flow
And their long tangles in each other lock,
And with unending involutions show
Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

4.
And, from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
And he comes hastening like a moth that hies
After a taper; and the midnight sky
Flares, a light more dread than obscurity.

5.
'Tis the tempestuous loveliness of terror;
For from the serpents gleams a brazen glare
Kindled by that inextricable error,
Which makes a thrilling vapour of the air
Become a … and ever-shifting mirror
Of all the beauty and the terror there—
A woman's countenance, with serpent-locks,
Gazing in death on Heaven from those wet rocks.

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Komentarze

Utwory na albumie The Complete Poetical Works Of Percy Bysshe Shelley Volume 2

1.

Ozymandias

2.

Similes For Two Political Characters Of 1819

3.

To A Skylark

4.

To Emilia Viviani

5.

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery

6.

Ginevra

7.

Ode to the West Wind

8.

Sonnet (Lift not the painted veil...)

9.

To Sophia [Miss Stacey]

10.

Hymn Of Pan

11.

Stanzas.—April, 1814

12.

Mutability II (The flower that smiles today...)

13.

Lines Written On Hearing The News Of The Death Of Napoleon

14.

Love's Philosophy

15.

On Death

16.

Song To The Men Of England

17.

Sonnet To Byron

18.

Arethusa

19.

The Indian Serenade

20.

Sonnet: Political Greatness

21.

To Constantia, Singing

22.

To William Shelley

23.

An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty

24.

Lines Written In The Bay Of Lerici

25.

Fragment: 'The Rude Wind Is Singing'

26.

Music

27.

Lines: 'The Cold Earth Slept Below'

28.

The Zucca

29.

Fragment: 'O Thou Immortal Deity'

30.

Mutability

31.

The Sensitive Plant Part II

32.

To The Moon

33.

An Exhortation

34.

Stanzas Written In Dejection, Near Naples

35.

Stanza, Written At Bracknell

36.

Lines Written Among The Euganean Hills

37.

Fragment: 'Alas! This Is Not What I Thought Life Was'

38.

The Aziola

39.

Stanzas 1 And 2

40.

Hymn Of Apollo

41.

Fragment: "Amor Aeternus"

42.

Variation Of The Song Of The Moon

43.

Fragment: The Vine-Shroud

44.

To Night

45.

To-Morrow

46.

The Sensitive Plant Part III

47.

From The Arabic: An Imitation

48.

A Fragment: To Music

49.

Ode To Naples (Epode 2b)

50.

To William Shelley III

51.

Hymn To Intellectual Beauty

52.

Ode To Naples (Antistrophe 2a)

53.

Love, Hope, Desire, And Fear

54.

Fragment On Keats

55.

Fragment: 'And That I Walk Thus Proudly Crowned'

56.

Song Of Proserpine While Gathering Flowers On The Plain Of Enna

57.

An Allegory

58.

Lines Written During The Castlereagh Administration

59.

Ode To Naples (Epode 1b)

60.

A Vision Of The Sea

61.

A Lament

62.

The Two Spirits: An Allegory

63.

Summer And Winter

64.

Lines To A Reviewer

65.

Fragment: 'When Soft Winds And Sunny Skies'

66.

Fragment: 'The Death Knell Is Ringing'

67.

On Fanny Godwin

68.

Ode To Naples (Epode 2a)

69.

Fragment: Pater Omnipotens

70.

Ode To Liberty

71.

Ode To Naples (Epode 1a)

72.

Fragment: To One Singing

73.

Fragment: To The Moon

74.

'Mighty Eagle'

75.

Buona Notte

76.

Ode To Naples (Antistrophe 1a)

77.

Fragment: 'Follow To The Deep Wood's Weeds'

78.

Fragment Of A Satire On Satire

79.

Fragment: A Wanderer

80.

The Magnetic Lady To Her Patient

81.

Ode To Naples (Strophe 1)

82.

Fragment: The Lady Of The South

83.

To Edward Williams

84.

Fragment: 'I Would Not Be A King'

85.

Fragment: To Byron

86.

Fragment: Satan Broken Loose

87.

Lines: 'When The Lamp Is Shattered'

88.

With A Guitar, To Jane

89.

To —.' Yet Look On Me.'

90.

Ode To Naples (Antistrophe 1b)

91.

Song For 'Tasso'

92.

Fragments Written For Hellas

93.

Fragment: Apostrophe To Silence

94.

Ode To Naples (Antistrophe 2b)

95.

Evening: Ponte Al Mare, Pisa

96.

The Question

97.

Song

98.

The Sunset

99.

Ode To Naples (Strophe 2)

100.

Liberty

101.

The Woodman And The Nightingale

102.

Lines To A Critic

103.

To Mary Wollstonecraft Godwin

104.

Fragment: The False Laurel And The True

105.

'O That A Chariot Of Cloud Were Mine'

106.

To Mary Shelley

107.

To —. 'Oh! There are Spirits of The Air'

108.

Dirge For The Year

109.

Fragment: Rain

110.

The Pine Forest Of The Cascine Near Pisa

111.

A Summer Evening Churchyard

112.

Cancelled Stanza

113.

Lines: 'We Meet Not As We Parted'

114.

Fragment: To A Friend Released From Prison

115.

Scene From 'Tasso'

116.

Invocation To Misery

117.

To Harriet

118.

The Fugitives

119.

Orpheus

120.

Fragment: Home

121.

Lines: 'That Time is Dead For Ever'

122.

Time

123.

Fragment: 'Methought I Was A Billow In The Crowd'

124.

Fragment: The Lake's Margin

125.

Fragment: Sufficient Unto The Day

126.

Time Long Past

127.

Marianne's Dream

128.

Fragment: Music And Sweet Poetry

129.

Passage Of The Apennines

130.

The Past

131.

The Boat On The Serchio

132.

To Jane: The Recollection

133.

Another Fragment: To Music

134.

Fragment: Death In Life

135.

Death

136.

Fragment: To The People Of England

137.

Epithalamium

138.

The Birth Of Pleasure

139.

Fragment: Zephyrus The Awakener

140.

To Jane: The Invitation

141.

Fragment: Thoughts Come And Go In Solitude

142.

The Cloud

143.

To Constantia

144.

To Mary Shelley II

145.

Fragment: 'Great Spirit'

146.

Fragment: The Deserts Of Dim Sleep

147.

Fragment: 'The Viewless And Invisible Consequence'

148.

Cancelled Passage

149.

To The Nile

150.

The Waning Moon

151.

Fragment: 'I Stood Upon A Heaven-Cleaving Turret'

152.

Fiordispina

153.

To William Shelley II

154.

The Sensitive Plant Part I

155.

Fragment: Beauty's Halo

156.

Fragment: Life Rounded With Sleep

157.

Fragment: 'Such Hope, As Is The Sick Despair Of Good'

158.

Fragment: To The Mind Of Man

159.

Fragment: Wedded Souls

160.

To The Lord Chancellor

161.

Otho

162.

Remembrance

163.

Autumn: A Dirge

164.

Fragment: 'Unrisen Splendour Of The Brightest Sun'

165.

Fragment: A Serpent-Face

166.

Fragments Supposed To Be Parts Of Otho

167.

The Tower Of Famine

168.

The World's Wanderers

169.

Fragment: Love The Universe To-Day

170.

A Hate-Song

171.

Marenghi

172.

Fragment: 'My Head Is Wild With Weeping'

173.

From The Original Draft Of The Poem To William Shelley

174.

Fragment: "Igniculus Desiderii"

175.

On A Faded Violet

176.

To Jane: 'The Keen Stars Were Twinkling'

177.

Fragment: 'A Gentle Story Of Two Lovers Young'

178.

The Isle

179.

Fragment: May The Limner

180.

Epitaph

181.

Fragment: Love's Tender Atmosphere

182.

Fragment: 'I Faint, I Perish With My Love!'

183.

National Anthem

184.

Good-Night

185.

Fragment: 'Ye Gentle Visitations Of Calm Thought'

186.

Fragment: Milton's Spirit

187.

To Mary —

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