Zaloguj się

Percy Bysshe Shelley - The Woodman And The Nightingale [tekst, tłumaczenie i interpretacja piosenki]

Wykonawca: Percy Bysshe Shelley
Album: The Complete Poetical Works Of Percy Bysshe Shelley Volume 2
Gatunek: Poetry

Zobacz teledysk

+ Powiększ

Tekst piosenki

[Published in part (1-67) by Mrs. Shelley, "Posthumous Poems", 1824; the remainder (68-70) by Dr. Garnett, "Relics of Shelley", 1862.]

A woodman whose rough heart was out of tune
(I think such hearts yet never came to good)
Hated to hear, under the stars or moon,

One nightingale in an interfluous wood
Satiate the hungry dark with melody;—
And as a vale is watered by a flood,

Or as the moonlight fills the open sky
Struggling with darkness—as a tuberose
Peoples some Indian dell with scents which lie

Like clouds above the flower from which they rose,
The singing of that happy nightingale
In this sweet forest, from the golden close

Of evening till the star of dawn may fail,
Was interfused upon the silentness;
The folded roses and the violets pale

Heard her within their slumbers, the abyss
Of heaven with all its planets; the dull ear
Of the night-cradled earth; the loneliness

Of the circumfluous waters,—every sphere
And every flower and beam and cloud and wave,
And every wind of the mute atmosphere,

And every beast stretched in its rugged cave,
And every bird lulled on its mossy bough,
And every silver moth fresh from the grave

Which is its cradle—ever from below
Aspiring like one who loves too fair, too far,
To be consumed within the purest glow

Of one serene and unapproached star,
As if it were a lamp of earthly light,
Unconscious, as some human lovers are,

Itself how low, how high beyond all height
The heaven where it would perish!—and every form
That worshipped in the temple of the night

Was awed into delight, and by the charm
Girt as with an interminable zone,
Whilst that sweet bird, whose music was a storm

Of sound, shook forth the dull oblivion
Out of their dreams; harmony became love
In every soul but one.

…

And so this man returned with axe and saw _40
At evening close from killing the tall treen,
The soul of whom by Nature's gentle law

Was each a wood-nymph, and kept ever green
The pavement and the roof of the wild copse,
Chequering the sunlight of the blue serene

With jagged leaves,—and from the forest tops
Singing the winds to sleep—or weeping oft
Fast showers of aereal water-drops

Into their mother's bosom, sweet and soft,
Nature's pure tears which have no bitterness;—
Around the cradles of the birds aloft

They spread themselves into the loveliness
Of fan-like leaves, and over pallid flowers
Hang like moist clouds:—or, where high branches kiss,

Make a green space among the silent bowers,
Like a vast fane in a metropolis,
Surrounded by the columns and the towers

All overwrought with branch-like traceries
In which there is religion—and the mute
Persuasion of unkindled melodies,

Odours and gleams and murmurs, which the lute
Of the blind pilot-spirit of the blast
Stirs as it sails, now grave and now acute,

Wakening the leaves and waves, ere it has passed
To such brief unison as on the brain
One tone, which never can recur, has cast,
One accent never to return again.

…

The world is full of Woodmen who expel
Love's gentle Dryads from the haunts of life,
And vex the nightingales in every dell.

Tłumaczenie piosenki

Nikt nie dodał jeszcze tłumaczenia do tej piosenki. Bądź pierwszy!

Jeśli znasz język na tyle, aby móc swobodnie przetłumaczyć ten tekst, zrób to i dołóż swoją cegiełkę do opisu tej piosenki. Po sprawdzeniu tłumaczenia przez naszych redaktorów, dodamy je jako oficjalne tłumaczenie utworu!

+ Dodaj tłumaczenie

Dziękujemy za wysłanie tłumaczenia.
Nasi najlepsi redaktorzy przejrzą jego treść, gdy tylko będzie to możliwe. Status swojego tłumaczenia możesz obserwować na stronie swojego profilu.

Interpretacja piosenki

Dziękujemy za wysłanie interpretacji
Nasi najlepsi redaktorzy przejrzą jej treść, gdy tylko będzie to możliwe.
Status swojej interpretacji możesz obserwować na stronie swojego profilu.

Dodaj interpretację

Jeśli wiesz o czym śpiewa wykonawca, potrafisz czytać "między wierszami" i znasz historię tego utworu, możesz dodać interpretację tekstu. Po sprawdzeniu przez naszych redaktorów, dodamy ją jako oficjalną interpretację utworu!

Lub dodaj całkowicie nową interpretację - dodaj interpretację

Wyślij Niestety coś poszło nie tak, spróbuj później. Treść poprawki musi być wypełniona. Dziękujemy za wysłanie poprawki.

Najpopularniejsze od Percy Bysshe Shelley

Ozymandias

Ozymandias
Percy Bysshe Shelley

Similes For Two Political Characters Of 1819

Similes For Two Political Characters Of 1819
Percy Bysshe Shelley

To A Skylark

To A Skylark
Percy Bysshe Shelley

To Emilia Viviani

To Emilia Viviani
Percy Bysshe Shelley

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery
Percy Bysshe Shelley

Komentarze

Utwory na albumie The Complete Poetical Works Of Percy Bysshe Shelley Volume 2

1.

Ozymandias

2.

Similes For Two Political Characters Of 1819

3.

To A Skylark

4.

To Emilia Viviani

5.

On The Medusa Of Leonardo Da Vinci In The Florentine Gallery

6.

Ginevra

7.

Sonnet (Lift not the painted veil...)

8.

Ode to the West Wind

9.

To Sophia [Miss Stacey]

10.

Hymn Of Pan

11.

Stanzas.—April, 1814

12.

Mutability II (The flower that smiles today...)

13.

Lines Written On Hearing The News Of The Death Of Napoleon

14.

Love's Philosophy

15.

On Death

16.

Song To The Men Of England

17.

Sonnet To Byron

18.

Arethusa

19.

Sonnet: Political Greatness

20.

The Indian Serenade

21.

To Constantia, Singing

22.

To William Shelley

23.

An Ode, Written October, 1819, Before The Spaniards Had Recovered Their Liberty

24.

Lines Written In The Bay Of Lerici

25.

Fragment: 'The Rude Wind Is Singing'

26.

Music

27.

Lines: 'The Cold Earth Slept Below'

28.

The Zucca

29.

Fragment: 'O Thou Immortal Deity'

30.

To The Moon

31.

The Sensitive Plant Part II

32.

Mutability

33.

An Exhortation

34.

Lines Written Among The Euganean Hills

35.

Stanza, Written At Bracknell

36.

Stanzas Written In Dejection, Near Naples

37.

Fragment: 'Alas! This Is Not What I Thought Life Was'

38.

The Aziola

39.

Stanzas 1 And 2

40.

Hymn Of Apollo

41.

Fragment: "Amor Aeternus"

42.

Variation Of The Song Of The Moon

43.

Fragment: The Vine-Shroud

44.

To Night

45.

From The Arabic: An Imitation

46.

To William Shelley III

47.

To-Morrow

48.

The Sensitive Plant Part III

49.

Hymn To Intellectual Beauty

50.

A Fragment: To Music

51.

Ode To Naples (Epode 2b)

52.

Love, Hope, Desire, And Fear

53.

Ode To Naples (Antistrophe 2a)

54.

Ode To Naples (Epode 1b)

55.

Fragment On Keats

56.

An Allegory

57.

A Vision Of The Sea

58.

Fragment: 'And That I Walk Thus Proudly Crowned'

59.

A Lament

60.

Song Of Proserpine While Gathering Flowers On The Plain Of Enna

61.

Lines Written During The Castlereagh Administration

62.

Summer And Winter

63.

Lines To A Reviewer

64.

The Two Spirits: An Allegory

65.

Fragment: 'When Soft Winds And Sunny Skies'

66.

On Fanny Godwin

67.

Fragment: 'The Death Knell Is Ringing'

68.

Ode To Liberty

69.

Ode To Naples (Epode 1a)

70.

Ode To Naples (Epode 2a)

71.

Fragment: Pater Omnipotens

72.

Fragment: To One Singing

73.

'Mighty Eagle'

74.

Fragment: To The Moon

75.

Buona Notte

76.

Ode To Naples (Antistrophe 1a)

77.

The Magnetic Lady To Her Patient

78.

Fragment: The Lady Of The South

79.

With A Guitar, To Jane

80.

Fragment: A Wanderer

81.

Fragment: 'Follow To The Deep Wood's Weeds'

82.

To Edward Williams

83.

Fragment Of A Satire On Satire

84.

Song For 'Tasso'

85.

Ode To Naples (Strophe 1)

86.

Fragment: 'I Would Not Be A King'

87.

Fragment: Satan Broken Loose

88.

Fragment: Apostrophe To Silence

89.

Fragment: To Byron

90.

Fragments Written For Hellas

91.

Lines: 'When The Lamp Is Shattered'

92.

Ode To Naples (Antistrophe 1b)

93.

To —.' Yet Look On Me.'

94.

Ode To Naples (Antistrophe 2b)

95.

Evening: Ponte Al Mare, Pisa

96.

The Sunset

97.

Song

98.

The Question

99.

Ode To Naples (Strophe 2)

100.

Liberty

101.

The Woodman And The Nightingale

102.

To Mary Wollstonecraft Godwin

103.

Fragment: The False Laurel And The True

104.

Lines To A Critic

105.

To Mary Shelley

106.

'O That A Chariot Of Cloud Were Mine'

107.

Dirge For The Year

108.

Fragment: Rain

109.

A Summer Evening Churchyard

110.

The Pine Forest Of The Cascine Near Pisa

111.

To —. 'Oh! There are Spirits of The Air'

112.

Fragment: To A Friend Released From Prison

113.

Cancelled Stanza

114.

Lines: 'We Meet Not As We Parted'

115.

Scene From 'Tasso'

116.

To Harriet

117.

The Fugitives

118.

Invocation To Misery

119.

Orpheus

120.

Time

121.

Time Long Past

122.

Fragment: Home

123.

Lines: 'That Time is Dead For Ever'

124.

Fragment: 'Methought I Was A Billow In The Crowd'

125.

Marianne's Dream

126.

Fragment: Music And Sweet Poetry

127.

Fragment: Sufficient Unto The Day

128.

Fragment: The Lake's Margin

129.

The Past

130.

Passage Of The Apennines

131.

The Boat On The Serchio

132.

To Jane: The Recollection

133.

Fragment: Death In Life

134.

To Jane: The Invitation

135.

Epithalamium

136.

Death

137.

The Birth Of Pleasure

138.

Fragment: To The People Of England

139.

Another Fragment: To Music

140.

To Constantia

141.

Fragment: Zephyrus The Awakener

142.

Fragment: Thoughts Come And Go In Solitude

143.

The Cloud

144.

Fragment: 'Great Spirit'

145.

To Mary Shelley II

146.

Cancelled Passage

147.

To The Nile

148.

Fragment: The Deserts Of Dim Sleep

149.

Fragment: 'The Viewless And Invisible Consequence'

150.

Fragment: Beauty's Halo

151.

The Waning Moon

152.

Fiordispina

153.

To William Shelley II

154.

To The Lord Chancellor

155.

Fragment: 'I Stood Upon A Heaven-Cleaving Turret'

156.

Fragment: Life Rounded With Sleep

157.

The Sensitive Plant Part I

158.

Fragment: 'Such Hope, As Is The Sick Despair Of Good'

159.

Fragment: To The Mind Of Man

160.

Fragment: Wedded Souls

161.

Otho

162.

Remembrance

163.

Fragments Supposed To Be Parts Of Otho

164.

Autumn: A Dirge

165.

Fragment: 'Unrisen Splendour Of The Brightest Sun'

166.

Fragment: Love The Universe To-Day

167.

Fragment: A Serpent-Face

168.

The World's Wanderers

169.

The Tower Of Famine

170.

Marenghi

171.

A Hate-Song

172.

Fragment: 'My Head Is Wild With Weeping'

173.

On A Faded Violet

174.

To Jane: 'The Keen Stars Were Twinkling'

175.

Fragment: "Igniculus Desiderii"

176.

From The Original Draft Of The Poem To William Shelley

177.

Fragment: 'A Gentle Story Of Two Lovers Young'

178.

The Isle

179.

Epitaph

180.

Fragment: May The Limner

181.

Fragment: Love's Tender Atmosphere

182.

National Anthem

183.

Fragment: 'I Faint, I Perish With My Love!'

184.

Good-Night

185.

Fragment: 'Ye Gentle Visitations Of Calm Thought'

186.

Fragment: Milton's Spirit

187.

To Mary —

Polecane przez Groove

Kamień z serca

Kamień z serca
Kubi Producent

to nieprawda, że nie lubisz róż ;**

to nieprawda, że nie lubisz róż ;**
Mata (Michał Matczak)

KANCLERZ

KANCLERZ
Kizo

For Good

For Good
Wicked Movie Cast

Komu miałabym powiedzieć?

Komu miałabym powiedzieć?
Bletka

Popularne teksty

Siedem

Siedem
Team X

34+35

34+35
Ariana Grande

Love Not War (The Tampa Beat)

Love Not War (The Tampa Beat)
Jason Derulo

SEKSOHOLIK

SEKSOHOLIK
Żabson

Snowman

Snowman
Sia